Re: Latest-Generation Modellers: Comparing the Right Thing
[Something like 4th time trying to post this, don't know why SDUGF keeps eating my post.]
I have no personal experience with the GT-1000 or Headrush. I've heard great things about Headrush for ease of use. Most of the comments about Boss multi-effects amount to be sure you like Boss effects for everything, as they have their own sound.
I have Helix Native, so aside from not having the ADC/DAC/impedance-switching input, I'm very familiar with how that sounds. [And I'm pretty sure all of those things are plusses for the Helix hardware compared to my UMC404HD.]
Helix is very flexible, but I found the cabinet modelling frustrating, so I moved on to IRs, which I found much more instant gratification. Helix has great effects, from the Legacy collection of old Line 6 models updated to take advantage of higher bit depth ADC/DAC & DSP processing, to the new Helix models. I actually often wind up using Legacy versions of many dirtboxes, because they have added tone controls that make them more flexible.
For a list of amp models to check out, aside from the classic dirtbox (or extra preamp) into classic amp [there's tons of classic rock amps, from Bassman to multiple flavors of Plexi and the JCM800], here's a list of oddly named models that might be harder to recognize that might suit:
Brit P75 models Park 75, and more resembles a bass or PA model of a Plexi. Great option for classic Marshall tones, oft used in place of Plexi.
Line 6 2204 Mod is based on a hotrodded JCM800. Probably fairly obvious, but often missed by people looking for high gain Marshally tones.
Placater Dirty models a Friedman BE-100 BE/HBE channel. Modded Marshall with ridiculous range of feel.
German Mahadeva models a channel of the Bogner Shiva.
Derailed Ingrid models a Trainwreck Express. Ridiculously dynamic Marshally tones. Probably at it's best at lower gain, for the dynamics, but still great when pushed too far, just loses the touch sensitivity.
Line 6 Doom is a hybrid JCM800 preamp with Hiwatt power section, tweaked for more gain.
Solo Lead Clean/Crunch/OD model the channels of a Soldano SLO-100.
PV Panama models a [early block letter] Peavey 5150 lead channel, which is infamous for it's similarity to the SLO.
Archetype Lead models PRS Archon lead channel. Gets some comparison to SLO, but has it's own thing going on.
ANGL Meteor models an ENGL Fireball 100, a tight high gainer.
Some fun models easily overlooked:
Soup Pro models a Valco Supro S6616. Run into a Celestion IR, very early Led Zeppelin.
Line 6 Litigator began as a mockery of Blues Lawyer Amps, but evolved into it's own thing. Feels as early Boogie as Dumble. Frustrated it's designer by being difficult to stop playing for almost everyone who tried it, including him...
I've probably put in the most time on Line 6 Litigator, it's terribly addictive, though I abuse it for it's gainier range and cascade multiple dirt boxes in front. But I've also had a lot of fun with the legacy Colordrive into a Plexi, gets very "And the Cradle Will Rock". Humbuckers into parallel paths with JTM45 into G12H30 panned left, Plexi with G12M25 panned right is great for AC/DC-style rhythm.
I tend to do a tape delay after the IR and then the legacy Plate reverb, with very low mix, for a bit of air.
And Archer250 is right. "Factory Presets Suck" is commonly bandied around in digital modelling forums...