Lighter touch

Re: Lighter touch

Funny, I was taught that picking was to be done with only your fingers and that adding your wrist into the mix lessened control and accuracy.

There are several mechanics that work not just one.
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Re: Lighter touch

The king of light touches was Holdsworth. Watch some videos.

Indeed, but he had strong hands, so his hammer ons and pull offs had some strength in them. But yeah, he barely picked the strings. And what amazing tone!
 
Re: Lighter touch

Holdsworth’s strings laying on the frets tone is the exact opposite of what I’m going for. I’m not going to say it’s bad, just not what I’m into.
 
Re: Lighter touch

I also like a bit more tension, so 9's don't work for me.
Using 11's for a long time probably strengthened my left hand for bending, but I still have a fairly light touch with my right hand.

The thicker strings ring stronger for good tone, with minimal fret noise. I can still maintain a light touch when picking or finger picking.

I use 11's on Gibsons and 10's on Fender scale.
 
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Re: Lighter touch

While we are on the subject of strings gushes, I'd like to say something. Once I started to bend with all of my readily available fingers, I've moved up from 10s to a combo set of 11s for the bass and 12s for the treble strings. Using more than one finger for bends certainly makes playing on heavier gauges a whole lot easier.
 
Re: Lighter touch

I stick with my 9s, but I am a really light player. All the power is in the amp.
 
Re: Lighter touch

I use 11s currently and I’m seriously wondering if it’s what’s messing up the experience.

Maybe the tone I’m looking for requires 10s, tension be damned.


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Lighter touch

I use 11s currently and I’m seriously wondering if it’s what’s messing up the experience.

Maybe the tone I’m looking for requires 10s, tension be damned.

Here’s my take on it. You get used to the lighter tension, and it allows more finesse in your playing. You don’t have to use a lot of strength to fret or bend strings, and that can allow you to play faster and more expressive.

The main reason I use 9’s is the tone. I can get a lot of snap and attack on the notes. With strings past 10’s the sound becomes too “clunky.” It almost more like a piano. Lol

When I watch YouTube videos of some players, I can tell they never learned how to get different tones from their fingers; how you fret and how you pick. They aren’t smooth sounding. Everything is staccato, so with light strings you get “plink plink plinky plink.” They lift their fretting hand fingers between every note and don’t hold notes long enough.

But listen to Billy Gibbons or Jimmy Page. They are playing 8’s. Or Terry Kath who played with Chicago. There’s some live recordings of him soloing all by himself. He took a set of 9’s, threw away the low E and used the A string and strung up the rest that way, and used a banjo string for the high E. Probably an 8. He doesn’t sound thin.

Back before Earnie Ball came out with Slinkies, players like Hendrix and Page used banjo strings.

What I’ve always done, on both guitar and bass, is practice without an amp. Once you sound smooth and full that way, when you plug in it’s huge. Just like all these classic players who used really light strings. People are quick to change pickups or string brands when they don’t like their tone. But they don’t bother to practice on getting a good tone. So they use heavy strings and a “warm” tone to hide that plinky tone coming from their hands.

Oh and stop using flexible picks! You lost your power and speed to the pick bending. Use at least a 1mm and hold the pick lightly but firmly.

Now it’s this dumb macho shaming thing and you have to use at least 12’s or you aren’t a man. Lol. Yet the virtuoso players often use very light strings. At least 9’s. I’ve also been a bass player for 47 years. So I’m used to fat, stiff strings.

And people cite SRV, but he also turned his guitar down like a half or whole step.

But look at Tony Iommi, he tunes down and uses 8’s or 9’s depending on what key he’s tuned to.

Because I often drop to D I like the D’Addario 9-46 set. I can bang out chords without the low strings getting too warbly.



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Re: Lighter touch

I dig 9s, too, but I *want* my low strings to sound like a piano. That only works on 25.5" scales it seems, with Alnico 5 pickups. I love that 'thwap'.
 
Lighter touch

I dig 9s, too, but I *want* my low strings to sound like a piano. That only works on 25.5" scales it seems, with Alnico 5 pickups. I love that 'thwap'.

That’s why I use 9-46. Any heavier and the low strings lose their snap. Sound too dull to me. Like a bass.

Longer scales are brighter and snappier sounding. Shorter scales sound smoother and mellower. That’s a big reason why a Strat with humbuckers doesn’t sound like a Gibson.

Try an even longer scale! I’m building myself a 27 or 28” B-B baritone guitar. [emoji3]

I prefer 25.5, but I had a great LP Standard back in the 90’s.


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Re: Lighter touch

As a fellow SRV and Metal fan I started playing on 12s and now I’m playing 9s for Standard E I like a 9-46 As I’ve grown as a player my string gauge has got lighter
So for E standard I used to play 10-52, now 9-46
Drop D used to 10-56, now 9-52
D Standard used to be 11-56, now 10-52
Drop C used to be 11-60, now 10-56
C Standard used to be 12-60, now 11-56
Drop B used to be 12-64, now 11-60
B Standard used to be 12-64 which hasn’t changed
Drop A used to be 12-74, now 12-68
I also use a lighter pick as I used to use a 3mm gravity picks now I use Dunlop primetones jazz iii XL 1.4mm
This reduction in tension has caused me to raise my action so I don’t cause a buzzfest as I pick incredibly hard by the way
Trying to control my picking intensity and dynamics
Obviously this depends on scale length but this is generally.
 
Re: Lighter touch

Once again, it's a good thing that we have such a wide range to choose from.

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