Line 6 Amps.. Which One Is The Best?

[elvhfan]

Re: Line 6 Amps.. Which One Is The Best?

Just get the 5150, you'll be happier in the end. They go for 550 US on ebay, or 1650 brazilian.

trust me...you won't be happier in the end...the vetta, if upgraded to a vetta II, has a great 5150 model that people never cease to compliment me on...some guy at a gig on new year's eve told me that i have 3D tone...not sure what that meant but i think it's good...

why settle for 1 or 2 sounds when you can an infinite amount...people like to slag modeling amps but mine fools everyone...

you won't be disappointed with the vetta...i bought my quic rod for the VH sounds... but i gig out weekly with the vetta...

 

[NecroPolo]

Re: Line 6 Amps.. Which One Is The Best?

The only good Line6 is a dead Line6...

MiKlint Eastwood
----------------
analogue axeslinger



Man, for the stuff that you want and the way you like it you really don't need a processed-tasting modelling stuff IMO. You will feel what I'm speaking about when you play one. They really have their role and I have a full respect for all the useful positive advantages and stuff (and I'm grateful for re-creating a 80% accurate tone to my cooked Selmer in the studio), but if you want to keep it raw like the way you have always done it, Line6 is out of the game for you.

But, as always, never decide anything unless you try something. Soundclips are not equal with live experience. You might find something you like if you play one. For that, I'd recommend the Vetta. It almost feels good. It is a strictly personal opinion of a stage-scratching a$$ but both Tech21 and Vox Valvetronix stuff felt more alive than anything from Line6 when I played.

Cheers,

Miki

 

[WITH FULL DISTORTION]

Re: Line 6 Amps.. Which One Is The Best?

Thank´s Guys

 

[FretFire]

Re: Line 6 Amps.. Which One Is The Best?

That is my only complaint when comparing the POD 2.0 and XT Pro I used in my rack to the Rectoverb I use now. I used modelers for my main rig for 4-5 years, but the real deal suits me so much better. In the studio and for lower volume situations the modeling stuff absolutely rocks, but for playing out I personally prefer those little silly light bulb lookin' guys.

 

[GuitarGuy503]

Re: Line 6 Amps.. Which One Is The Best?

Flextone III hands down...... :32:

 

[kherman]

Re: Line 6 Amps.. Which One Is The Best?

Well, I'm quite happy with my Flex III XL.
Very nice combo.
As mentioned earlier, you need to really sit down and tweak.
Also, read the Line 6 Pilot book. It explains a lot how the models mimick the real thing, and how the L6 controls mimick the control layouts of the real amps.
Be sure to get your midi cords and stuff to hook up to the computer.
The Line 6 Edit has many other parameters to fine tune your sounds.

I posted a clip in the tricks and clips area.
https://forum.seymourduncan.com/showthread.php?t=25240
It's of some solos I did over a backing track.
Check it out and let me know what you think.

Eventually I'll get something up with rythms done by the flex as well.

As for what Line 6 amp is best.

Vetta is the most versatile. Features Sharc 2 processors. Thus can do a lot more things at one time. Such as 2 amp models at one time.

PodXt is basically a desk top model of the Vetta. Has many of the same features of the Vetta.

Flex III are more streamed line. Features 1 Sharc processor. Thus, has less amp and effects models, and only able to do one amp model at a time.
Amps and effects based on Vetta models. This amp is designed for the person that doesn't need all the extra gadgets and gizmos the Vetta has.
For the person that just needs a simple amp sound, simple effect sound, and ability to record or go to PA direct.

Spiders series is the bare basics. Decent sounds. But not, as good as the Vetta or Flex. Amp sound are only L6 models. No ability to download other tones. No XLR to record or go to PA. Good practice amps.

HD147 is the metal amp. Has many features from the Vetta as well.
But, is geared more towards the heavy metal guitarist. It basically replaced the Flex II Head. Besides all the Hi-gain amp models there are a few classic amp models too. Also, gives you the ability to download more amp model pack like the Vetta.


Like I said, as long as your willing to sit down and really work with the amp, I think it great.
If your a simple turn on, crank the knobs to 10, and go person, then the L6 amps aren't for you.
Go get yourself a nice 2 channel amp then.

kent

 

[kherman]

Re: Line 6 Amps.. Which One Is The Best?

One more thing. When trying one out. Give your ears a rest between trying hi-gain amp models (or any amp models). First just think of an amp you like, go to that model, and then tweak with it for a while. Then maybe go to a clean sound for a bit before going onto another hi gain amp model.
Flicking back and forth between say a Marshall Jubilee, Boogie Triple, Bogner XTC model will screw with your ears frequencies response. Then you'll just think they all suck. You'll get a really nice marshall sound, go to a bogner, flick back to the marshall, and think its sounds all wierd all of a sudden.
It's because your ears are trying to adjust to the change in frequencies and tones used for each model. That's why I say cleans the ear pallet. Then try a different model to tweak. That way you get a fresh outlook on that model.
Be sure to be a little away from the amp when trying it. Also, angle the amp up towards yourself, not aiming at your lower legs. If your too close and it's aiming at your feet, it (or any amp) is going to sound muffled. With the speakers aiming right up at you, you'd be amazed how well those tones come out at you.

When playing these amp models cranked. Watch the Bass. A little goes a long way. Same with the gain. Dimeing everything isn't going to achieve the sound your looking for. Again read the pilot manual.

Another thought is to ask for a pair of headphones and try that for listening to the amp as well. A good pair of headphones though. Not a sony discman type.

Many people will make two sets of patches.
One set for bedroom volumes. One set for stage volumes.
The power section of these amps arent like a tube amp, where the more you crank it the more the power section effects the tone. The L6 master volume is just that, a master volume. It just makes the amp louder.

I've had mine for about 3 months now. I'm still learning what there is all to do with this amp, and how to tweak. I'm still learning how to record as well. Learning how to get good tones in these computer recording programs.
But, from what little I've done so far, I know there's great potential.

Kent