DankStar
Her Little Mojo Minion
I was asking on another board about how to generate some "ambience" with home recordings, and this guy had a hella cool idea for doing what he called a "live chamber." Here'goes:
"Do you know what a Live Chamber is?
What you can do is keep recording in the dead room, but if you have a live or ambient space somewhere in the house..an attic, a bathroom, a shower, a stairwell, and make a live-chamber out of that space. Tile and porcelain are dandy materials. Or hard wood, brick, stone, cider-block, even bare sheetrock.
Run some cables and put a mic and a powered speaker (like a wedge monitor) in there. Put the speaker where it will cause maximum ambience, like in a corner pointing up and in to the room, or on the floor pointing up. Point the mic OFF-AXIS from the speaker.
After you have recorded and edited the guitar part (or vocal or whatever), send the track out through that speaker, filling the live space with the sound, which will be picked up by the mic, and record the ambience from the mic back on to a track of your DAW. Then mix that with the "dry" signal.
And you might ask, if I can do that, why don't I just put my amp in there? The answer is you might be able to, or might not. But the key is to get a good, dry signal without the possible ill effects of bad-sounding ambience, which can't be removed from the sound, and then find a space, like the shower when your wife's not in it, to add some liveness in the mix.
I know. It's a lot of work, but people do it."
"Do you know what a Live Chamber is?
What you can do is keep recording in the dead room, but if you have a live or ambient space somewhere in the house..an attic, a bathroom, a shower, a stairwell, and make a live-chamber out of that space. Tile and porcelain are dandy materials. Or hard wood, brick, stone, cider-block, even bare sheetrock.
Run some cables and put a mic and a powered speaker (like a wedge monitor) in there. Put the speaker where it will cause maximum ambience, like in a corner pointing up and in to the room, or on the floor pointing up. Point the mic OFF-AXIS from the speaker.
After you have recorded and edited the guitar part (or vocal or whatever), send the track out through that speaker, filling the live space with the sound, which will be picked up by the mic, and record the ambience from the mic back on to a track of your DAW. Then mix that with the "dry" signal.
And you might ask, if I can do that, why don't I just put my amp in there? The answer is you might be able to, or might not. But the key is to get a good, dry signal without the possible ill effects of bad-sounding ambience, which can't be removed from the sound, and then find a space, like the shower when your wife's not in it, to add some liveness in the mix.
I know. It's a lot of work, but people do it."