I used to have one of the newer Vietnamese ones. It was good. The Classic channel is VERY bright, though. It can be dialed in right, but then, the Ultra channel ends up kinda flat because it has a shared EQ. I guess that's not a problem for recording, since you can adjust the amp accordingly, but keep that in mind.How are those little 1 watt marshall heads? Any good?
I used to have one of the newer Vietnamese ones. It was good. The Classic channel is VERY bright, though. It can be dialed in right, but then, the Ultra channel ends up kinda flat because it has a shared EQ. I guess that's not a problem for recording, since you can adjust the amp accordingly, but keep that in mind.
The Ultra channel is a bit loose and fluffy, but it takes a tube screamer in front to tighten it up like a champ. It's kinda stuffy-sounding, so it gets along better with brighter and more open-sounding cabinets. Overall, it sounded much better through my Marshall 4x12 than through my Orange 1x12, but then again, what amp doesn't. That's the head, though. The combo with its 8" speaker doesn't sound that much better than any 8" combo out there.
My Jet City Picovalve has a 2/5 watt switch. Plus it will run any octal base power tube. You might be able to find a used one.I have an old class A el34 type tube amp, maybe 4-5 watts and even it is too loud to really get cooking when I'm recording stuff.
If I had €835 to spare for a tiny low gain I watt amp..I'd get one of these...
https://www.mpf-sound.es/en/amplifiers/room-one/
But I don't
Still the sweetest sounding one I've ever heard..
I really like my Vox MV50 amp. It's not really a tube amp, it has Korg's Nutube device in the preamp and a Class D output, but it sounds great. It's sound also stays consistent as it's turned down, unlike many master volume tube amps. They come in several flavors; I have the "Marshall" one, but they come with Vox, Fender, and (I think) Boogie voices as well.