Sorry I thought only Gibson made the es335. I knew other manufactures make the same profile but Im really only interested in a Gibson. I played a knew Larry Carlton 335 artist model today and it was sweet but I think I can spend the same or maybe even a little less and get a fine 335 with a little character to boot. Hoping anyway.Are you looking for a Gibson, or high-end copy (Heritage, Edwards, Epi Elitist), or Korea/China (Epi/Hamer)? Got to narrow it down a bit.
check out some early 80's Dot's---they vary a bit in neck size and they have the Nashville bridge and the 'circuit board' pickups, but I found a pretty good one with the bigger neck for under 2K. A few tweaks, new pu's, and it's a great gig guitar...
Sorry I thought only Gibson made the es335. I knew other manufactures make the same profile but Im really only interested in a Gibson. I played a knew Larry Carlton 335 artist model today and it was sweet but I think I can spend the same or maybe even a little less and get a fine 335 with a little character to boot. Hoping anyway.![]()
I've found that when I'm really looking for the "right" axe, kind of in the manner you are, I do well by just biding my time and playing everything out there.
I spent the better part of 15 years looking for the perfect hollowbody. I played a slew of Gibsons, Hamers and Heritages.
I ended up, ironically, with a low-end Epiphone Dot Studio. After a pickup swap the thing is just a tone monster.
Don't feel like you have to or should buy right away. Half the fun is in the hunt.
check out some early 80's Dot's---they vary a bit in neck size and they have the Nashville bridge and the 'circuit board' pickups, but I found a pretty good one with the bigger neck for under 2K. A few tweaks, new pu's, and it's a great gig guitar...
Sorry I thought only Gibson made the es335. I knew other manufactures make the same profile but Im really only interested in a Gibson. I played a knew Larry Carlton 335 artist model today and it was sweet but I think I can spend the same or maybe even a little less and get a fine 335 with a little character to boot. Hoping anyway.![]()
If you want to do a stop tail conversion, there are bargains to be had in 70's trapeze 335/345's as well...gotta shop for decent necks though.
Get an Epiphone Dot Studio and change the p'ups with a Jazz set for a session years' Larry Carlton sound or with a Jazz bridge in the neck and a C5 in the bridge for a higher output PAF vibe. Estimated price: 5-600 bucks.
This is the way to go! You can afford to get 3 or 4 Epi Sheratons & Dots, and put a different combination of pickups in each. Like one with a pair of '59's for a vintage sound, another with a Jazz in the neck & a Custom 5 in the bridge for higher output, and another with Gibson Burstbuckers. Every time you play, you have choices that you never dreamed of, and fantastic tones. There are only a handful of people on this planet that could tell the sound of those from a Gibson 335.
I have an ebony Sheraton with a '59n & a Custom 5 that is one of the best sounding blues guitars I've ever heard; warm with lots of punch & bite for solos. Their Dot Deluxe comes with a flame maple top & is just beautiful, especially in red. A Sheraton or Dot in natural is very nice on the eyes. You can get one of each and still have the cash to put Duncans and Dimarzios in them! You can also et a used Epi '63 Dot reissue (MIJ) for the same price range, and their quality is as good or better than a Gibson. I'd put the tone quality of my Epi's up against a Gibson 335 any day.
Think about this with a Gibson: Take away $300 for the retail cost of the pickups & hardware, and you have a nice piece of wood that cost you $2,000+. Is the wood that nice? Or do you just have too much money? Besides, getting a nice assortment of imported 335's gives you a huge variety tonally, and are loads of fun to select pickups for. Why get hung up on a name, when you can get almost the same quality for a fraction of the price? There's plenty of people who've been disappointed in the quality of Gibsons, considering what they paid for them. Paying through the nose doesn't guarantee that you're getting the extra quality. Think outside the box.
That's an odd date to get a guitar by. How come?
Think outside the box.
been there, did that...it didn't cut it.