1ManGarageBand
New member
(My first post. I've spent many hours reading threads in this forum and have been impressed by the knowledgeable and thoughtful responses.)
Preface: I've been playing guitar for 49 years (it's embarrassing that I'm not better at it after all this time). First band in '58; "semi-pro" in the 60's (many saloons); garage bands. For the past 10 years I've played mostly by myself in my home recording studio. I've never owned a "great" guitar or amp. Got tired of multi-effects units/modeling boxes; decided to work on tone.
My only electric for a decade, a '77 CBS tele (maple neck/fat frets/11's/med-high action/6-saddle bridge/VERY heavy), had an SD QuarterPound bridge and Jazz neck. Put in series/split/parallel for the HB plus phase switch. Nice, but didn't sound like a tele. Put in a Jerry Donahue bridge PU and a Torres "blues tone" wiring harness: nice (with a good bridge/neck in series tone and a very nice bridge/neck in parallel sound). Decided that the Jazz neck didn't have enough "character" so I put in an APH-1: way too much bass "boom". After reading Lew's posts in this forum I tried a PG1n: took some getting used to but I like it. The nice parallel sound is gone.
SO, I want my tele to make vintage blues/rock LP/strat/tele tones. (I know, "can't be done"; "get the right guitar/amp").
AND, I want it to do it at fairly low studio volumes. (I've got Hughes&Kettner
micro-amps: Blues Master [tweed-like] and Cream Machine [marshall-like] driving Celestion Blue 12", Celestion Vintage-10, or ToneTubby hempcone ceramic 10" speakers in home-made convertable open/closed cabinets).
Not a "noble" quest, perhaps, but I'm determined to take it as far as I can.
I'm thinking of putting a humbucker in the bridge that can be split to keep some "tele" sounds. A CC maybe?
Thank you for reading through all this. Any thoughts/advice will be much appreciated. (BTW, I pretty much gave up using a pick years ago, if it makes a difference.)
Preface: I've been playing guitar for 49 years (it's embarrassing that I'm not better at it after all this time). First band in '58; "semi-pro" in the 60's (many saloons); garage bands. For the past 10 years I've played mostly by myself in my home recording studio. I've never owned a "great" guitar or amp. Got tired of multi-effects units/modeling boxes; decided to work on tone.
My only electric for a decade, a '77 CBS tele (maple neck/fat frets/11's/med-high action/6-saddle bridge/VERY heavy), had an SD QuarterPound bridge and Jazz neck. Put in series/split/parallel for the HB plus phase switch. Nice, but didn't sound like a tele. Put in a Jerry Donahue bridge PU and a Torres "blues tone" wiring harness: nice (with a good bridge/neck in series tone and a very nice bridge/neck in parallel sound). Decided that the Jazz neck didn't have enough "character" so I put in an APH-1: way too much bass "boom". After reading Lew's posts in this forum I tried a PG1n: took some getting used to but I like it. The nice parallel sound is gone.
SO, I want my tele to make vintage blues/rock LP/strat/tele tones. (I know, "can't be done"; "get the right guitar/amp").
AND, I want it to do it at fairly low studio volumes. (I've got Hughes&Kettner
micro-amps: Blues Master [tweed-like] and Cream Machine [marshall-like] driving Celestion Blue 12", Celestion Vintage-10, or ToneTubby hempcone ceramic 10" speakers in home-made convertable open/closed cabinets).
Not a "noble" quest, perhaps, but I'm determined to take it as far as I can.
I'm thinking of putting a humbucker in the bridge that can be split to keep some "tele" sounds. A CC maybe?
Thank you for reading through all this. Any thoughts/advice will be much appreciated. (BTW, I pretty much gave up using a pick years ago, if it makes a difference.)
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