Ninja Monkey
New member
Re: Melodyne > Auto-tune
whoah whoah WHOAH
stop right there.
...
just kidding.
that sounds like a good example. but why are there wrong notes in the score? shouldn't you have it absolutely where you want it before you hire a string quartet?
to answer your question: it depends. are we doing this for Radiohead, or are we doing this for the flavor of the month?
/excessive contrariness
I get what you're saying, though. I can definitely see its use in a big harmony kind of setting. The effect it has would seem to be a positive one, and the way you describe it makes me think it would sound like a futuristic version of the female singers on DSoTM. Would that be a generally correct description?
You are recording a ballad and you hire a very expensive session string quartet. After their flawless execution of your score, you realize you made a mistake in your score and had, let's say 10 wrong notes in the whole thing, including all 4 instruments, so 2 or 3 wrong notes per instrument.
Do you A) rescore it, and hire the quartet again for a full day of recording or B) fix the 10 notes with Melodyne?
whoah whoah WHOAH
stop right there.
...
just kidding.
that sounds like a good example. but why are there wrong notes in the score? shouldn't you have it absolutely where you want it before you hire a string quartet?
to answer your question: it depends. are we doing this for Radiohead, or are we doing this for the flavor of the month?
um, Kurt Cobain was flat on several words, and Nevermind is one of the biggest selling albums of all time.Singer absolutely NAILS a take, vibe and aggression and feeling wise, but is a bit flat on a single word in the middle of it - a word you can't punch in on. You can spend more time getting him to retrack it until you (and you won't) match the vibe of that perfect take, but in perfect pitch, or you can open up AT or Melodyne and fix it in 30 seconds including buffer/bounce time.
Or, say you want a really huge, 'wall of sound' type vocal for the chorus - you track the guy twice down the middle, harmonies left and right, double the harmonies left and right, and maybe a lower octave of the lead line down the middle. Nobody is going to nail every single one of those, and if the left/right vocals aren't dead on, pitch-wise, they'll through off perception of the lead vocal, regardless of how in-tune it original was. Using AT or Melodyne on a natural setting (not a hard-tune, T-Pain type thing) will get everything gelled and sitting nice with eachother, and editing timing so the syllables match up will make it even better.
/excessive contrariness
I get what you're saying, though. I can definitely see its use in a big harmony kind of setting. The effect it has would seem to be a positive one, and the way you describe it makes me think it would sound like a futuristic version of the female singers on DSoTM. Would that be a generally correct description?
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