freefrog
Well-known member
I've already tried to explain the "scratchy" thing in the post 4. Again, it's a distortion effect involving the eddy currents due to double rows of long screw poles, the powerful magnetic flux due to a double thick A5 magnet, and the high pitched resonant peak due to low DCR / inductance, putting the grit in high frequencies.
It's not typical of TV Jones Classic's. That's just how Filter'Tron's sound, by design. And this design is dated from an era where the use of very long capacitive cables + lo-fi "prehistoric" effects was cooperating nicely with the Filter'Tron recipe (those who made a carreer with these pickups know that. See what Reverb explains about Brian Setzer: "Other, slightly less crucial components of the Setzer sound include an early-‘60s Fender tube reverb unit that he uses occasionally, and a really, really long guitar cable. When I say "really, really long," I mean about 60 feet long. If you have any experience with long guitar cables, you probably know that a cable of this length will have a significant impact on the guitar tone, rolling off a lot of treble. Apparently, this is how Setzer likes it [...]". 60ft of cable is the same thing than a 2.7nF from hot to ground, BTW. I use a hardly higher value with my 3.3nF cap as a tone filter on a tone switch: this cap just makes me sound as if I was plugging through 73 more ft of cable).
I can produce the Scratchy sound with my TV Classic's if I want to: I've just to set them too close to the strings and to play through a too hi-fi wiring / rig.
But I also know how to make them sound to my liking by setting their height differently and by adjusting the capacitive load. Once that done, I've no problem to obtain classic Setzer or Malcolm Young tones (more raunchy than scratchy: the Filter'Tron gritty character never totally disappears and that's where some users might prefer other pickups, of course).
FWIW.
It's not typical of TV Jones Classic's. That's just how Filter'Tron's sound, by design. And this design is dated from an era where the use of very long capacitive cables + lo-fi "prehistoric" effects was cooperating nicely with the Filter'Tron recipe (those who made a carreer with these pickups know that. See what Reverb explains about Brian Setzer: "Other, slightly less crucial components of the Setzer sound include an early-‘60s Fender tube reverb unit that he uses occasionally, and a really, really long guitar cable. When I say "really, really long," I mean about 60 feet long. If you have any experience with long guitar cables, you probably know that a cable of this length will have a significant impact on the guitar tone, rolling off a lot of treble. Apparently, this is how Setzer likes it [...]". 60ft of cable is the same thing than a 2.7nF from hot to ground, BTW. I use a hardly higher value with my 3.3nF cap as a tone filter on a tone switch: this cap just makes me sound as if I was plugging through 73 more ft of cable).
I can produce the Scratchy sound with my TV Classic's if I want to: I've just to set them too close to the strings and to play through a too hi-fi wiring / rig.
But I also know how to make them sound to my liking by setting their height differently and by adjusting the capacitive load. Once that done, I've no problem to obtain classic Setzer or Malcolm Young tones (more raunchy than scratchy: the Filter'Tron gritty character never totally disappears and that's where some users might prefer other pickups, of course).
FWIW.
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