Hot Octopus
Member
When I think of active pups for guitar, I think that they're full of gain and used for metal. When I think of them for bass however, its more of a tone shaping thing.
Does the technology exist to make an active guitar pickup where you could really dial in your tone to make you're pickups sound like just about every pup in SD's line using modeling tech?
Maybe you turn one knob and it selects which pup is being modeled. So, let's say you have 15 positions on the knob.
1) JB
2) 59'
3) Demon
4) Invader
5) Custom
6) Quarter pounder
7) Antiquity Hum
8) Antiquity SC
9) Dimebucker
10) Phat Cat
11) Classic Stack
12) Duckbucker
13) Full Shred
14) Jazz
15) Basslines pup
Next you have a knob that voices each pickup depending on the magnet type.
1) A2
2) A3
3) A4
4) A5
5) A6
6) A7
7) A8
8) Ceramic
9) UOA5
10) Ceramic 8
Finally you have a knob that acts as an active EQ control..
1) Treble Boost
2) Bass Boost
3) Mid Boost
4) Treble Cut
5) Bass Cut
6) Mid Cut
7) Scooped Mids
8) Treble/ Mid Boost
9) Mid/ Bass Boost
10) + 25 DB Boost
I was thinking about the Line 6 Variax guitar and was wondering if a system like that could be applied to the preamp section of an active guitar pup for maximum tone shaping. Is it possible? Would Seymour Duncan ever consider such and idea?
Does the technology exist to make an active guitar pickup where you could really dial in your tone to make you're pickups sound like just about every pup in SD's line using modeling tech?
Maybe you turn one knob and it selects which pup is being modeled. So, let's say you have 15 positions on the knob.
1) JB
2) 59'
3) Demon
4) Invader
5) Custom
6) Quarter pounder
7) Antiquity Hum
8) Antiquity SC
9) Dimebucker
10) Phat Cat
11) Classic Stack
12) Duckbucker
13) Full Shred
14) Jazz
15) Basslines pup
Next you have a knob that voices each pickup depending on the magnet type.
1) A2
2) A3
3) A4
4) A5
5) A6
6) A7
7) A8
8) Ceramic
9) UOA5
10) Ceramic 8
Finally you have a knob that acts as an active EQ control..
1) Treble Boost
2) Bass Boost
3) Mid Boost
4) Treble Cut
5) Bass Cut
6) Mid Cut
7) Scooped Mids
8) Treble/ Mid Boost
9) Mid/ Bass Boost
10) + 25 DB Boost
I was thinking about the Line 6 Variax guitar and was wondering if a system like that could be applied to the preamp section of an active guitar pup for maximum tone shaping. Is it possible? Would Seymour Duncan ever consider such and idea?
Last edited: