yeah, I'm pretty well sold on it. It's already a killer price for what you get, hopefully it goes down even more before I have enough cash to buy it.InstituteOfNoise said:Presa Tito, I can tell you now it rocks! I've already played it. I also played in their booth at NAMM this past January using it in stereo. It killed! This week they asked me to be their in-store demo guy for a huge sale at one of the bigger independant music stores here in LA this weekend. They are already getting some name players on tour asking for it. For the quality going into this amp, I'd say that an equivalent amp (non-modeller based) would sell for hundreds more than this. All the dealers I've heard have been extremely impressed with it so far.
Gearjoneser said:The two heads I have experience with, and like, are the Vox AD60 and Vetta. The Vetta is nice, but expensive, so I opted for the Vox AD60 or 120. Since I'm using a modeling amp as a home/low volume/recording rig, I decided I didn't need the stereo option and extra power, so I bought the AD60 for around $420 out the door new at Sam Ash, which was very reasonable. You may even be able to locate one on Ebay for around $375, which is surprisingly less than the Vox Tonelab. The features I love best about the Vox is that it's laid out like pedals straight into a choice of amps = no scrolling through parameters or menus. Also, the headphone out and rec. line out share a volume control on the back panel. Since you can tailor the gain by balancing between the OD pedals and amp gains, you can get all your distortion tones to sound any way you want. Storing your patches is as simple as hitting two buttons. Also, the cleans on the Vox amp sounds much more tubelike than the SS sounding cleans on lesser modeling amps.
The only feature I wish the AD60 had was stereo recording outs like the AD120 has. If it had that, plus REAL spring reverb, it'd be darn near perfect.
InstituteOfNoise said:The Atomic Amp just shipped yesterday. That is the best choice for the POD. It even has a template to load the Tonelab and I believe the V-amp in it.
Here's what it looks like... Click here to see the Atomic Amp
UCSDBoy said:What?!? Since when did you start using modeling technology? lol - wow, hell just froze over... =)
InstituteOfNoise said:PUCKBOY, I've heard em all. The Tech21 sounds decent on clean and lite crunch, but real crap on higher gain models. As does the Hod Rod Dlx. Another ket here is that the patches you design in Studio mode, stay in that mode in the Atomic. Any other POD to amp setup usually requires retweaking and usually using without Cab Sims as the general rule. It's nice to go from one to the other without changing anything.
Also, I love stereo as much as the next guy, but realistically most clubs that you'd use this in have mono PA's. So the stereo real is sort of self serving.
The thing to remember is that if you like what you hear then thats all that matters. Some are happy with "just good" tone. Some look for the pinnacle of that setup. The Atomic in my opinion takes it that much further. For me the extra money for the Atomic is well worth the difference in sound.
PUCKBOY99 said:ABSOLUTELY!!!....but the trick is to use them on the best clean setting you can find.
BTW...is "SA/TX" San Antonio? If so, lovely city!!!!![]()
Closed Eye said:Some questions for you Line 6 guys:
1. Would the Line 6 Spider II be considered a "true" modeling amp? Would you suggest buying it or saving up for a Vetta II or POD?
2. I've been reading reviews and posts on the Line 6 BBS about the Spider II and people have been saying that when you plug external effects into the input they sound tinny, messed up, or don't sound at all. Some people have surmised this forces you to by those Line 6 effects boards in an attempt to make more money and corner the customer into using only Line 6 products...is this true?
Thanks for the help!
But what if I want to use a distorted channel setting on the modeling amp with my effects? I don't want to use a gain preamp (dist. pedals are a thorn in my side at the moment) with a modeling amp, but use the distorted channels on the modeling amp in conjunction with the pedals.
Or by "best clean setting" do you mean "cleanest distortion" setting?
I'm a little unclear as to what you mean, fill me on the details!
SA, TX is indeed San Antonio! I agree it's a pretty lovely/cool city, but the bad part is that there's really only two kinds of music: Metal and Tejano.
Things like Jazz, Punk, Garage Rock, and more eclectic styles of music get lost in the mix...