RadsRock
New member
Hello all -- what an awesome community there seems to be here!
So, I am trying to decide how to wire my HxH project guitar with 2 P-rails. This is my first full build, and my wiring/electronics knowledge is about pre-K level. I have read lots of threads on P-rails wiring and considered lots of options in how I might want to set up mine. Now, the body is from Warmoth, coming with no control holes/slots drilled, so all possibilities are open. I have come up with an approach that I don't think I've seen discussed, and wonder what y'all expert folk think about this.
The idea would be to use concentric pots in a sort of a spin-a-split approach. For each pick-up there's one concentric pot pair, 1 pot controlling the P-90 and 1 controlling the rail:
The hot ouptut from each pot would then go to a mini-toggle, to allow series/parallel switching.
Is there a reason this doesn't work? Do you see pros/cons to the approach?
I am thinking it would be clean & tidy, and easy control to a huge tonal spectrum. One downside is it would be a bit slower to switch from bridge to neck on the fly, but I think I could live with that. On the plus side, it would provide a couple of things I "think" I want, but I'm frankly not sure the utility of:
Now, one more key question while I'm at it. Here is the body... Pao Ferro top over Black Korina (IMO, going to be one beautiful axe!) So.... P-Rails in Black or Cream?
So, I am trying to decide how to wire my HxH project guitar with 2 P-rails. This is my first full build, and my wiring/electronics knowledge is about pre-K level. I have read lots of threads on P-rails wiring and considered lots of options in how I might want to set up mine. Now, the body is from Warmoth, coming with no control holes/slots drilled, so all possibilities are open. I have come up with an approach that I don't think I've seen discussed, and wonder what y'all expert folk think about this.
The idea would be to use concentric pots in a sort of a spin-a-split approach. For each pick-up there's one concentric pot pair, 1 pot controlling the P-90 and 1 controlling the rail:
Inner pot turned all the way up, outer pot turned all the way down: P-90
Inner down, outer up: Rail
Both up: Humbucking
Both down: Pick-up is off (so no bridge/neck selector switch is needed).
Inner down, outer up: Rail
Both up: Humbucking
Both down: Pick-up is off (so no bridge/neck selector switch is needed).
The hot ouptut from each pot would then go to a mini-toggle, to allow series/parallel switching.
Is there a reason this doesn't work? Do you see pros/cons to the approach?
I am thinking it would be clean & tidy, and easy control to a huge tonal spectrum. One downside is it would be a bit slower to switch from bridge to neck on the fly, but I think I could live with that. On the plus side, it would provide a couple of things I "think" I want, but I'm frankly not sure the utility of:
1) The single coils on each P-rail are fully selectable independent of the other pick-up (eg, could have neck on rail and bridge on P-90). But is that really worthwhile? Since the coils are designed to be hum-cancelling with the matched coil on the other pick-up, would it get noisy to have the two non-matched coils on?
2) Serial/Parallel switching. Of course if that isn't wired in as a switchable option, I would want the humbuckers in series (so I don't think the concentric pots approach would work without the mini-toggle -- right?). But, is the series/parallel tone selection worth having at all?
2) Serial/Parallel switching. Of course if that isn't wired in as a switchable option, I would want the humbuckers in series (so I don't think the concentric pots approach would work without the mini-toggle -- right?). But, is the series/parallel tone selection worth having at all?
Now, one more key question while I'm at it. Here is the body... Pao Ferro top over Black Korina (IMO, going to be one beautiful axe!) So.... P-Rails in Black or Cream?
Last edited: