Rich_S
HomeGrownToneBrewologist
The Guitar: Alder Schecter PT body, Fender MIM maple Tele neck. 6-saddle Tele-style bridge for humbucker. Trem-spaced ceramic Duncan Custom bridge, 59n neck. Wired with a coil split )which I use a lot) on the Custom, two volume controls, no tone.
The Rig: My #1 is a Tele with vintage-voiced single coils. I have a pedalboard and a Marshall 18 Watter clone with two knobs: volume and tone. My rig is dialed in to give me a great sound with the Tele.
The Sound: My "thing" is sort of Brit-pop jangle: The Police, The Pretenders, Johnny Marr. The PT is for when I need some humbucker oomph - in my book, "good" humbucker tones come from people like Jimmy Page, Paul Kossoff, Rick Neilsen, Neil Geraldo (early Benetar with the original B.C. Rich's), and Pete Townsend. I'm not looking for Eddie or Zack or 80's shred or hairmetal.
The History: When I built this guitar, I put in a 59b. Sounded good, but weak. Its split coil was useless. I ignored the guys who told me to try a Custom, and put in a CC (figuring erroneously that the maple neck made this a "bright guitar"). I HATED the CC - it was muffled mush. One magnet swap later, I had the Custom that's there today. (I should add here that I love the 59n - that's staying.)
The Problem: With my rig dialed in for the Tele, the PT is just lifeless. Very honky midrange that just gets buried in the mix. Lows sound okay. The high E and B strings don't ring clearly. If I max the tone on the amp, it brings out the E and B so I can hear them, but the mids are still very honky and harsh. I'm working up the tunes for the big reunion of my old 80's frat-party band. I have the Tele dialed in and I'm loving it, but the PT is pretty bad. When I practice along with the original recordings, my guitar just gets buried.
We're doing a couple of Benetar songs - "Promises in the Dark" and "Precious Time". A lot of Neil Geraldo's parts are 2-note barre chords on the bottom, and then he fancies them up with those jangly chorused arpeggios on the high strings. It's that kind of stuff where I'm having the most trouble - the jangle's missing.
Another example (though we're not actually going to play this one at the reunion) is Rush's "The Spirit of Radio". You know... the big chords with the open B and E on top. It's supposed to be roar & jangle, but I have neither. It's all lumped together in a big BLAAAAT.
Leads don't cut - the sound is all mid-hump, like a stock SD-1. Sounds OK on its own, but has no clarity in a band context.
Well, this has gone on long enough. What's next, guys? What do you recommend and why? Different magnet in my existing Custom, or a different pickup entirely? Help!
The Rig: My #1 is a Tele with vintage-voiced single coils. I have a pedalboard and a Marshall 18 Watter clone with two knobs: volume and tone. My rig is dialed in to give me a great sound with the Tele.
The Sound: My "thing" is sort of Brit-pop jangle: The Police, The Pretenders, Johnny Marr. The PT is for when I need some humbucker oomph - in my book, "good" humbucker tones come from people like Jimmy Page, Paul Kossoff, Rick Neilsen, Neil Geraldo (early Benetar with the original B.C. Rich's), and Pete Townsend. I'm not looking for Eddie or Zack or 80's shred or hairmetal.
The History: When I built this guitar, I put in a 59b. Sounded good, but weak. Its split coil was useless. I ignored the guys who told me to try a Custom, and put in a CC (figuring erroneously that the maple neck made this a "bright guitar"). I HATED the CC - it was muffled mush. One magnet swap later, I had the Custom that's there today. (I should add here that I love the 59n - that's staying.)
The Problem: With my rig dialed in for the Tele, the PT is just lifeless. Very honky midrange that just gets buried in the mix. Lows sound okay. The high E and B strings don't ring clearly. If I max the tone on the amp, it brings out the E and B so I can hear them, but the mids are still very honky and harsh. I'm working up the tunes for the big reunion of my old 80's frat-party band. I have the Tele dialed in and I'm loving it, but the PT is pretty bad. When I practice along with the original recordings, my guitar just gets buried.
We're doing a couple of Benetar songs - "Promises in the Dark" and "Precious Time". A lot of Neil Geraldo's parts are 2-note barre chords on the bottom, and then he fancies them up with those jangly chorused arpeggios on the high strings. It's that kind of stuff where I'm having the most trouble - the jangle's missing.
Another example (though we're not actually going to play this one at the reunion) is Rush's "The Spirit of Radio". You know... the big chords with the open B and E on top. It's supposed to be roar & jangle, but I have neither. It's all lumped together in a big BLAAAAT.
Leads don't cut - the sound is all mid-hump, like a stock SD-1. Sounds OK on its own, but has no clarity in a band context.
Well, this has gone on long enough. What's next, guys? What do you recommend and why? Different magnet in my existing Custom, or a different pickup entirely? Help!
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