lex666
New member
I finally received my Mesa Mark V head and spent the entire weekend with it. I know I'm not the most articulate guy here so please forgive me if this review turns lame... I could ramble on for days about how great this amp is, so I'll try to keep it short and sweet.
Guitars: Gibson SG, Gibson Explorer (with SD Blackouts), ESP LTD 602, Gibson ES335
Cabs: Marshall 2x12 with V30's and Marshall 2x12 with Celestion Heritage & Vintage
First of all, you guys were right. The Mark 5 blows away my Marshall TSL602 that I've been in love with for almost 10 years. I immediately went to the Mark IIc+ mode in channel 3 set to 90 watts. The Mark 5 has a tremendous amount of headroom. I was surprised at how much more bass was present. It moved so much air that I could feel the hairs stand on the back of my neck. Using the suggested settings I was easily able to dial in Metallica's classic sound. Leads sing, bass is heavy and tight, yet they both blend together with real crunch and authority. Instead of sounding bright, harsh and muddy, both are combined to provide real musical tone that compliments the other. I played Metallica's "Seek and Destroy". LOUDLY. Totally nails that tone. I then played some detuned stuff like "Small Hours" "Crash Course" and "The Thing That Should Not Be"... It nails those heavy notes and leads soar without having to change any settings other than the toggle switch on my guitar. I wouldn’t call it liquid, but a very smooth distortion. Lowering the gain, this setting can do some really nice blues crunch.
The Mark IV setting was more bass heavy than the Mark II setting, yet never got muddy. I'm really liking this heavy scooped tone, something my Marshall couldn't do without turning to mud.
The Extreme setting is exactly that - extremely loud with tons of distortion. Surprisingly still very musical. I played some "nu metal" thru it. It nails that "wall of distortion" sound.
The Mark I setting on channel 2 was very scooped, more scooped than the Mark II and IV. I need to spend more time with this setting as I found its tone too scooped for my tastes.
The Crunch setting was a huge surprise. This setting alone could be sold as an amp by itself. Low gain settings provide a smooth crunchy tone reminiscent of a Marshall, only better. More defined mids, smooth bass, and a nice top end with no shrill. In this setting, you can really hear those subtle differences in your guitars. Mids are accentuated, but never overwhelming allowing the true voice of your guitar to be heard. Turning up the gain provided an excellent high gain crunch similar to a Recto. This setting can cover tons of ground.
Guitars: Gibson SG, Gibson Explorer (with SD Blackouts), ESP LTD 602, Gibson ES335
Cabs: Marshall 2x12 with V30's and Marshall 2x12 with Celestion Heritage & Vintage
First of all, you guys were right. The Mark 5 blows away my Marshall TSL602 that I've been in love with for almost 10 years. I immediately went to the Mark IIc+ mode in channel 3 set to 90 watts. The Mark 5 has a tremendous amount of headroom. I was surprised at how much more bass was present. It moved so much air that I could feel the hairs stand on the back of my neck. Using the suggested settings I was easily able to dial in Metallica's classic sound. Leads sing, bass is heavy and tight, yet they both blend together with real crunch and authority. Instead of sounding bright, harsh and muddy, both are combined to provide real musical tone that compliments the other. I played Metallica's "Seek and Destroy". LOUDLY. Totally nails that tone. I then played some detuned stuff like "Small Hours" "Crash Course" and "The Thing That Should Not Be"... It nails those heavy notes and leads soar without having to change any settings other than the toggle switch on my guitar. I wouldn’t call it liquid, but a very smooth distortion. Lowering the gain, this setting can do some really nice blues crunch.
The Mark IV setting was more bass heavy than the Mark II setting, yet never got muddy. I'm really liking this heavy scooped tone, something my Marshall couldn't do without turning to mud.
The Extreme setting is exactly that - extremely loud with tons of distortion. Surprisingly still very musical. I played some "nu metal" thru it. It nails that "wall of distortion" sound.
The Mark I setting on channel 2 was very scooped, more scooped than the Mark II and IV. I need to spend more time with this setting as I found its tone too scooped for my tastes.
The Crunch setting was a huge surprise. This setting alone could be sold as an amp by itself. Low gain settings provide a smooth crunchy tone reminiscent of a Marshall, only better. More defined mids, smooth bass, and a nice top end with no shrill. In this setting, you can really hear those subtle differences in your guitars. Mids are accentuated, but never overwhelming allowing the true voice of your guitar to be heard. Turning up the gain provided an excellent high gain crunch similar to a Recto. This setting can cover tons of ground.