Need a double-cream Bridge Pickup. Recommendations?

donaldr said:
Well explained in post #29
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I understand the trade mark bit. I suppose what I wonder is, why is having a cream colored pickup in one's guitar so important?
I have always been more concerned with performance rather than appearance. Though I can understand if someone were trying to achieve a certain look because they were in a tribute band or something like that.

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I have a brand new double cream Seth Lover bridge and zebra neck set I'd part with. I removed the covers and there it was.
 
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Gosh Lew, you got me all worked up there. I would have sworn that in my collection I needed a DC Seth Bridge to complete a set. I was so sure that I was typing you a PM about purchasing your DC Seth. But I thought to myself, “self, you’d better check, just in case.” So I did. I was wrong. My Seth set is fine, both DC. It’s my Antiquity set that needs help. I need a neck DC Antiquity to match my bridge. The one I have is Zebra.

The older I get, the worse my memory gets, LOL.
 
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Yeah, I knew from reading prior posts that you had at least one set of double cream Antiquities installed and in use. That is a pretty guitar and I bet it sounds great. I’d leave those in there too if it were me.

I keep an eye out on Reverb for DC Antiquities, but people there confuse double cream bobbins with actual gold. :smack:
 
Leon Of Late said:
Yeah, I knew from reading prior posts that you had at least one set of double cream Antiquities installed and in use. That is a pretty guitar and I bet it sounds great. I’d leave those in there too if it were me.

I keep an eye out on Reverb for DC Antiquities, but people there confuse double cream bobbins with actual gold. :smack:
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It took two sets of Antiquitys to put that set of DC's together. One had a DC bridge and one had a DC neck. So I made a DC set and a black set. The black set is in my other PRS CU-22.

It did feel like finding gold when I removed the covers and found them.
 
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