Ocifer
New member
A family friend gave me a mic he had sitting around in his garage the other day, and I've found some time to try recording a clip. This is my first time mic'ing my amp, and the 'setup' was very budget - little stand made of cardboard on top of some books (covered with a rag to stop vibration). A quick wank session yielded...
lo-fi URL: http://www.soundclick.com/util/getplayer.m3u?id=3988643&q=lo
hi-fi URL: http://www.soundclick.com/util/getplayer.m3u?id=3988643&q=hi
I think it's pretty decent, but there's definetely room for improvement. I was wondering if anyone had any advice on mic placement (I'm looking to get a fairly direct, close-mic'ed sound)? Also, any advice on post-production. I've used EQ and the like before, but I'd really like to step up the quality of my recordings.
I remember Marin or someone mentioning techniques like compression and hard limiting. Could anyone explain how these work, and any rules of thumb associated with them?
ps. The setup is Fender JV Strat -> Vox TL Standard -> Carvin Bel-Air 2x12.
I can't wait to get the hang of this a bit better, I'd like to record the clean channel of the Bel-Air. It is killer!
lo-fi URL: http://www.soundclick.com/util/getplayer.m3u?id=3988643&q=lo
hi-fi URL: http://www.soundclick.com/util/getplayer.m3u?id=3988643&q=hi
I think it's pretty decent, but there's definetely room for improvement. I was wondering if anyone had any advice on mic placement (I'm looking to get a fairly direct, close-mic'ed sound)? Also, any advice on post-production. I've used EQ and the like before, but I'd really like to step up the quality of my recordings.
I remember Marin or someone mentioning techniques like compression and hard limiting. Could anyone explain how these work, and any rules of thumb associated with them?
ps. The setup is Fender JV Strat -> Vox TL Standard -> Carvin Bel-Air 2x12.
I can't wait to get the hang of this a bit better, I'd like to record the clean channel of the Bel-Air. It is killer!