New pickups for my LP?

Which you would guess would sound different than my uncovered PG set in what way? A little less "hot" and maybe not as much top-end?

They are 2-conductor and cover is slightly aged. The box shows they are wound by MJ and the model name says "A" Pearly Gates 7.6k/8.4k.

They did not accept my offer but they did come down 10% to $297.

Probably hotter slightly, not as abrasively bright but sweetened top end. The Custom Shop Pearly Gates are very near neighbors to the Angus Young pickups (not the same pickup, but nearest neighbor one might find).
 
Which you would guess would sound different than my uncovered PG set in what way? A little less "hot" and maybe not as much top-end?

I was recently pleasantly surprised by using 250k pots with a Jazz set. It did a VERY subtle taming of the high end. Maybe worth a try with your PG's.
 
I have a LP Studio with chambered body and it has the stock Gibson Classic 57/57+ combo in it. I love the playability and light-weight of this guitar but the pickups make me go "meh" instead of "yeah." For comparison, I have a 2001 PRS Singlecut and I put Pearly Gates PUPs in that bad boy... it sounds so much more "alive" especially on the bridge pickup. The LP just sounds "darker." Don't know how much the chambered body of the LP has to do with that

I've found that chambered guitars add a mid hump to the EQ, with a slight reduction in bass response. A true semi hollow will have a more pronounced bass reduction and mid hump in my experience.
 
You probably lean towards the 'slighty unmatched bobbins' camp. 57 classics are even wound bobbins, so you will probably like burstbuckers better, they are slightly unmatched wound bobbins for a more rude brighter tone which can be desribed by some as more alive.
If your guitar sounds dark, try 50's wiring and open up the tone on that bad boy. That what I do on all my 'shorter scale' geetars. (les paul, es335, sg, mccarty)
 
I've been toying with the idea of 50's wiring.

Spitballing here... will my gold Gibson Classic 57 pickup covers fit on a set of Ants or Seths? Swap shouldn't be too difficult? Probably voids the warranty but that's almost certainly not going to be a problem if it does.
 
I've been toying with the idea of 50's wiring.

Spitballing here... will my gold Gibson Classic 57 pickup covers fit on a set of Ants or Seths? Swap shouldn't be too difficult? Probably voids the warranty but that's almost certainly not going to be a problem if it does.

Gibson changed the spacing of the screws and polepieces at some point. Measure carefully.
 
Should I be worried about mis-matching if I order the gold Seth Lovers individually since they don't do a gold set?
 
Should I be worried about mis-matching if I order the gold Seth Lovers individually since they don't do a gold set?

Nah, the "matching" is kind of silly anyway. Just put the one with more DC resistance into the bridge.
 
I'm still not sure the honkiness of Seths is the best choice for a guitar that might have naturally strong mids.
IMO perhaps a pair of 59s would be the ticket here. Full & sparkly, and still vintage output, but with a lot less honk.
And if they aren't perfect as is, both of them take magnet swaps famously well for fine tuning the tone.

Maybe even another Pearly Gates set - the two guitars likely will still sound pretty different from each other.
Pearlies never come up short in terms of presence or personality.
 
Yeah I’ve been wondering if I should go with another set of PGs. Also now considering BK Mules…

The unpotted custom shop set of pgs are a solid option if you don't have a set of those yet.

The new high voltage production pickups are excellent too... I actually like them better than the production pgs and would recommend them over them these days. Very similar to the pg but less muddy in the low end and a clearer and chime-like top end that the regular pgs don't have. I feel like I can get all the pg tones out of them still too. The high volts and the other recently added production models are all pretty amazing and worth a try imo.
 
ugh... my LP has a circuit board with hard-wired connectors on everything... you guys just rip all that out or have you discovered an easy way to get around it?
 
When I was chasing the OP goals, I ended up with a Bare Knuckle Black Dog bridge and a Seymour Duncan 59 neck with an A4 magnet. Along the way, I tried all these that worked well, just had different EQ tilts.
  • stock 59n in the bridge, stock Jazz neck in the neck (a poor man's Jimmy Page set)


  • Just a side note: I've got an Eastman version of the ES-339, and it came from the factory with this set up, and it really highlights the difference between the two, especially for letting the pickups carry the song's mood.


    Went back to the Eastman site and looked at their other Gibson style guitars. Gotta admit, these folks have good taste in pickups. They picked a wide assortment of mostly match pairs of pickups for their versions of Gibson ES guitars: Lollar P90's, Antiquities, Phat Cats, Kent Armstrong, and this oddball combination, the Jazz-n / 59-b.
 
ugh... my LP has a circuit board with hard-wired connectors on everything... you guys just rip all that out or have you discovered an easy way to get around it?

Replace it. You can wire into it if you really want to and modify it but more work than it's worth imo. I just replace mine with standard wiring.
 
ugh... my LP has a circuit board with hard-wired connectors on everything... you guys just rip all that out or have you discovered an easy way to get around it?

When I replaced my pickups in my Les Paul Custom Lite I replaced the wiring. The quick connect board and pickups sold quickly on eBay and went a long way towards funding the WLH set and new components.

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