Am making a copy of a metal front Zemaitis that I have. P/ups in the original are Gibson reissue PAF's: sound very good, very smooth, but (as usual) the neck p/u needs a treble boost, and the treble boost makes the bridge p/u too shrill sounding.
The Zemaitis is (and the copy will be) a more-or-Less Paul shaped guitar; all mahogany body and neck; ebony 24 fret fingerboard, and all aluminum hardware.
Am thinking of Seth Lover in bridge; Jazz in neck pos.
But maybe a Custom Custom (SH11) in neck instead (ceramic magnet I believe: like the old Gibson Super Humbucker - had them on a 73 SG one time: sold the SG but kept the p/ups - they screamed!)
And what makes the JB (SH4) so special for the bridge? On the Seymour tone page (sound samples) they don't sound so good to my taste.
Any suggestion very appreciated.
Teye
The Zemaitis is (and the copy will be) a more-or-Less Paul shaped guitar; all mahogany body and neck; ebony 24 fret fingerboard, and all aluminum hardware.
Am thinking of Seth Lover in bridge; Jazz in neck pos.
But maybe a Custom Custom (SH11) in neck instead (ceramic magnet I believe: like the old Gibson Super Humbucker - had them on a 73 SG one time: sold the SG but kept the p/ups - they screamed!)
And what makes the JB (SH4) so special for the bridge? On the Seymour tone page (sound samples) they don't sound so good to my taste.
Any suggestion very appreciated.
Teye