korovamilkdud
WhoDatologist
You say you have enjoyed the PG bridge model in the neck spot. Can you describe for me? Is it like a 59, APH-1, Seth?
Gearjoneser said:I don't recommend the PG bridge. I've spent a few days listening to a PG set in my Paul, and while the neck is really a nice articulate pickup, the bridge sounded like one of the worst Duncan bridge pickups I've ever heard. If the PG B sounds good in the neck, it's a good thing, because I wouldn't ever use one in the bridge ever again!
Robert S uses the C-5/PG, which I'm sure is a great combo. I've been digging the sound of an EVH/PG for a few days as well.
jeremy said:really? the pgb is one of my favorite pups, great live tone thru a cranked fender
dr.barlo said:Mine too. In fact I believe it is the best non-custom shop PAF clone I have ever come across.
Don't think it's too bright. It's PAF! I don't know what you guys are basing your evaluations on, because I trust your ears. But still regarding this issue I definitely am not with you. :cool3:
B
jeremy said:really? the pgb is one of my favorite pups, great live tone thru a cranked fender
Benjy_26 said:BTW, for those of you that didn't like the PG at the bridge spot of a LP, you might want to try it with a 500K volume control and a 250k tone control. It made mine much friendlier.![]()
STRATDELUXER97 said::smack: It's all good Doc....it's more than likely our gear,cause I'm a Marshall guy and maybe I feel the PG is too toppy through that sought of amp tone? In other words,most of my tones are based around Marshalls..
dr.barlo said::blackeye:
You are still a close buddy of mine that's for sure! :burnout:
I guess that LP of yours might be quite different than mine, rather than the amp differences since I also am using amps with which I get close to that marshall tone (with the help of pedals modded by YOU :laugh2: !!!). I came to believe that there might be really considerable differences when it comes to lesters especially in the bridge position. I hated the timbucker bridge in my R7 (thin, too bright, somewhat shrill). I loved/adored it in my R8. Go figure!
Matching the pickups to the particular wood in question is the whole deal. In the bridge of my 95 LP standard (which now has an a4 8.65K antiquity HB and is simply excellent) PG sounded great. Was a2, that is it was soft spongy on the bass side, round and thick mids and nice highs, but still had that extra uppermids (texas sizzle I suppose) in the uppermids register. Rolling the tone off to 5-6 gave a great tiger kinda growl! A5's in the same guitar (including a 59b) give more of a smaller wild cat tone! :laugh2: Anyway after going over a bunch of PAF clones I settled with an a4 antiquity, the neck being a 7.70K antiquity with the stock dun-aged magnet (which I might change to an a3 to add more clarity for the clean jazz/blues stuff I am into nowadays).
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