I have a Les Paul with a 59b that I love. The Jazz in the neck is a little bland, as many others have said.
I read here somebody suggest wiring it in parallel, and I did that to the JazzN, and I think I like it. I cranked the pickup up a ways to make up for the lost output, and the two pickups seem to balance ok. The Jazz is thinned out a little and quite a bit sparklier on the top end. It seems more like the '59N I have in another LesPaul. That guitar has 500k pots. This guitar has a 300k volume pot, and I considered putting in a 500k instead of wiring the pickup in parallel. What would the difference in tone have been compared to the parallel wiring?
Do others like parallel wiring to de-mud/brighten the neck pickup on a Les Paul? Or, is the 500k pot a more popular choice?
I read here somebody suggest wiring it in parallel, and I did that to the JazzN, and I think I like it. I cranked the pickup up a ways to make up for the lost output, and the two pickups seem to balance ok. The Jazz is thinned out a little and quite a bit sparklier on the top end. It seems more like the '59N I have in another LesPaul. That guitar has 500k pots. This guitar has a 300k volume pot, and I considered putting in a 500k instead of wiring the pickup in parallel. What would the difference in tone have been compared to the parallel wiring?
Do others like parallel wiring to de-mud/brighten the neck pickup on a Les Paul? Or, is the 500k pot a more popular choice?