MetalManiac
Li'l Junior Member
I had posted my Pedalbaord that was in flux awhile ago. I believe after much soul searching, that I have reached a stasis. At this point I'll post pics, and then provide commentary ( note the pedals on the board board aren't hooked up yet.).
Okay..the Board is intended to be a dedicated Overdrive only board to push the front end of a Marshall Amp, and also a Blackface Bassman Amp and In my specific case, a '77 JMP 100 watt and a '66 Blackface Bassman.
The Board is primarily concerned about having the original great Overdrives form the era of my JMP and used on countless recordings represented. There are also a few other aspects I incorporated. Space on the medium sized PT-SC Pedaltrain board limited me from adding a couple other pedals I wanted.
Starting from top right to left I have my newly Acquired DOD Analogman JYM 308 "Mojo Mod" , which is supposed to be a very faithful representation of a DOD Gray Box 250+ pedal. The pedal sounds fabulous, but has a certain fuzz quality or edginess on the top end I figured would be eliminated with the Analogman mod. Overall an astounding pedal. Thick, Crisp, very clear ,open and full.
Next is the BYOC MXR Distortion + Clone of the Randy Rhoads pedal. Don't know too much except people suggested it needs a cranked Marshall to come alive, because it doesn't sound all that great as is IMO.
Then we have the Boss OD-1 Silver Screw with the JR5588 ( or something) chip.
Haven't played this in awhile, but as I recall, through the Marshall it has a very sweet singing quality and a edgy bite without being fizzy.
Then I have the Green TS-9 modified to Ts-808 specs. The only thing I can say about the TS-808 is that you got to throw away everything you hear about responsiveness, bypass, mid hump, and everything else , and realize it simply is the greatest sounding pedal bar none ever made . Thats of course just my opinion, but it just has that creamy smooth beautiful low mid -mi bloom that is the Ne PLus Ultra of the entire pedal world.
Rounding out the top row we have the Clark Point to Point Hardwired Gainster pedal. A true thing of beauty to see inside. Just like the guts of a tweed amp. It can do a clean boost , but it shines when imparting a tweed voice to either a Marshall or a Bassman Amp.
STARTING BOTTOM ROW LEFT TO RIGHT:
An Analog Delay,.I chose the Maxon AD-9. I don't require much of a Delay, but i use it constantly only for trails at the end of a lead line, and I have to believe this one has a little extra girth and analog richness as compared to a Carbon Copy.Not sure though.
Next is the Ts-808 Landgraff Circuit Copy Pedal. It earned a spot on this board cause I really like the tone pf middle toggle position of the LED Clipping Diodes lifted out of the circuit on this pedal cause of the organic fill sound and texture and not really the LEds in the modification like many others like about it..
Coming Next I have the Old OOP Marshall Guv'Nor.This pedal is a classic and for me I have it to get a very Marshally sound everywhere from a heavy Plexi'ish Brown sound to a heavy Crunch Stock JCM800 all the way to a modified or pedal overdriven JCM800.
Penultimate we have the Marshall Bluesbreaker. This is the pedal the KOT is based on. Very low gain pedal that could take eithet the Bassman '66 or the '77 Marshall JMP MKII and voice it for that early Bluesbreaker Round Organic vibe.
Finally we have a great pedal, the Duncan Lava Box.Can get some modern sounds and do a swell cleanish Boost . Quickly fattens a thin SC, or adds some clarity to a wolly neck humbucker at the turn of the Rumble Mod Switch.
Well, there you have it folks. Thanks for stopping in.
Okay..the Board is intended to be a dedicated Overdrive only board to push the front end of a Marshall Amp, and also a Blackface Bassman Amp and In my specific case, a '77 JMP 100 watt and a '66 Blackface Bassman.
The Board is primarily concerned about having the original great Overdrives form the era of my JMP and used on countless recordings represented. There are also a few other aspects I incorporated. Space on the medium sized PT-SC Pedaltrain board limited me from adding a couple other pedals I wanted.
Starting from top right to left I have my newly Acquired DOD Analogman JYM 308 "Mojo Mod" , which is supposed to be a very faithful representation of a DOD Gray Box 250+ pedal. The pedal sounds fabulous, but has a certain fuzz quality or edginess on the top end I figured would be eliminated with the Analogman mod. Overall an astounding pedal. Thick, Crisp, very clear ,open and full.
Next is the BYOC MXR Distortion + Clone of the Randy Rhoads pedal. Don't know too much except people suggested it needs a cranked Marshall to come alive, because it doesn't sound all that great as is IMO.
Then we have the Boss OD-1 Silver Screw with the JR5588 ( or something) chip.
Haven't played this in awhile, but as I recall, through the Marshall it has a very sweet singing quality and a edgy bite without being fizzy.
Then I have the Green TS-9 modified to Ts-808 specs. The only thing I can say about the TS-808 is that you got to throw away everything you hear about responsiveness, bypass, mid hump, and everything else , and realize it simply is the greatest sounding pedal bar none ever made . Thats of course just my opinion, but it just has that creamy smooth beautiful low mid -mi bloom that is the Ne PLus Ultra of the entire pedal world.
Rounding out the top row we have the Clark Point to Point Hardwired Gainster pedal. A true thing of beauty to see inside. Just like the guts of a tweed amp. It can do a clean boost , but it shines when imparting a tweed voice to either a Marshall or a Bassman Amp.
STARTING BOTTOM ROW LEFT TO RIGHT:
An Analog Delay,.I chose the Maxon AD-9. I don't require much of a Delay, but i use it constantly only for trails at the end of a lead line, and I have to believe this one has a little extra girth and analog richness as compared to a Carbon Copy.Not sure though.
Next is the Ts-808 Landgraff Circuit Copy Pedal. It earned a spot on this board cause I really like the tone pf middle toggle position of the LED Clipping Diodes lifted out of the circuit on this pedal cause of the organic fill sound and texture and not really the LEds in the modification like many others like about it..
Coming Next I have the Old OOP Marshall Guv'Nor.This pedal is a classic and for me I have it to get a very Marshally sound everywhere from a heavy Plexi'ish Brown sound to a heavy Crunch Stock JCM800 all the way to a modified or pedal overdriven JCM800.
Penultimate we have the Marshall Bluesbreaker. This is the pedal the KOT is based on. Very low gain pedal that could take eithet the Bassman '66 or the '77 Marshall JMP MKII and voice it for that early Bluesbreaker Round Organic vibe.
Finally we have a great pedal, the Duncan Lava Box.Can get some modern sounds and do a swell cleanish Boost . Quickly fattens a thin SC, or adds some clarity to a wolly neck humbucker at the turn of the Rumble Mod Switch.
Well, there you have it folks. Thanks for stopping in.
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