Chris Pile
Well-known member
Re: Pickup placement
I have blocked Plessure.... So I no longer see his posts. This gives me pleasure.....
I have blocked Plessure.... So I no longer see his posts. This gives me pleasure.....
I have blocked Plessure.... So I no longer see his posts. This gives me pleasure.....
I meant simply that most guitars come with a bridge pickup that's placed pretty much as close to the bridge as practically possible - while the same isn't at all true for the other extreme pickup placement, in the middle of the string where the vibration is strongest and offers most fundamental and least proportion of treble harmonics.
Stupid why exactly?
Well, for one thing guitar is extremely unfit instrument to achieve what you're proposing here.
What exactly are you trying to achieve with that design that cannot be done in sensible way? Three pickups parallel already sounds mushy, and strat neck pickup is on the edge of being usable already? What's gain with yet another pickup further up the neck?
Why not build a system that can sense a string across the entire length? You would be able to pick certain 'points' and send that to a switch. Who says a pickup has to be straight across the strings? Actually, the Variax and some Boss units can sort of do this virtually. As far as making hardware that does it, that might be harder.
This sounds even more advanced and complicated, FWIW.
Of course it is...but I think big!
We disagree. I love the strat neck pickup. Any sound is usable. What i want is simply pickups to cover the full range of fundamental nodes, i.e starting at the open string fundamental which is the octave, and going all the way to the bridge.
While using many pickups at once would certainly be possible, it's not the purpose.
Instead of a guitar, how about using a sitar? Pleanty of room between the frets to mount pickups.
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This is slightly late in the conversation, but a lot of people on this thread mentioned how the neck pickup sounds like it does because of the magic location right under the 24th harmonic node. This is simply not true, as the harmonic nodes change when a note is fretted.
But I always thought was interesting is that on a lot guitars there is a point where the neck and the bridge are in the same position. For example, if you had two Customs in a Les Paul set to the same height and fretted a note on the 24th fret, the only tonal differences you get between the neck and bridge pickup would be the mechanical tolerances.
The problem, as I see it, is that the strings are fretted during play. 12th fret is the midpoint for an open string only. The pickup's placement relative to the center of the vibrating section would change drastically as you play up the neck, and a 12th fret pickup would be completely useless for notes played above the 12th fret.
Ever notice how a neck pickup's tone becomes somewhat brighter for notes played way up high? It's because the pickup is now much closer to the endpoint on the active portion of string. With conventional placement this becomes sort of an advantage on high notes. But you wouldn't want the same effect to come into play when you're playing at the ninth or tenth fret.