koshikas
New member
Hi all, I m a newbie here being reading posts forever but never made a thread here, never had to. I recently got hold of a Ibanez Musician MC150FR currently featuring stock humbuckers, Ibanez 'Super 58' Alnico III, and the guitar itself is completely stock as made in the early 80's. I like the sound of the pickups but feel them being very underpowered. I like the slight mid heaviness with sweet sparkle but feel the guitar deserves bit more power for overdriven tones. Besides they've made a blunder, the neck pickup has a higher DC resistance than the bridge, impossible to match the volumes between neck/bridge, therefore both of them has to come out. The guitar is a 5-piece maple/walnut neckthru, mahogany wings, with an rosewood fretboard and has a lofty brass bridge resembling a TOM bridge with brass tail-piece. Scale is 24¾" and like wise has les paul like electronics. Acoustically it is not sharp/shrill sounding as most ppl claim maple neckthrus to be. It is probably the brass hardware at play.
In my own opinion I think it should be one of those low-to-moderate output humbuckers featuring probably a Alnico II or V magnet. I prefer to split the humbuckers too (though it is not a must, too much tone wizardry spoils tone), if so I think to get decent sound, we need moderate output pickups. I´d certainly like a combination of pickups featuring good mids, with tighter bass and not too shrill high-end, sort of a very good vintage clean tone with enough power to be well defined under moderate amounts of gain.
I would like to use this guitar live more often, and think that having mid presence would help me audible in the mix, with the other guitarist being mostly a mid-scooped. I play everything from blues/jazz to heavy rock/metal certainly nothing detuned. I m expecting this guitar to be played mostly for blues/jazz to heavy rock sorta thing.
As for amps employed, it varies from having to use Marshall one day to a fender twin the next day with multi-FX pedals. so it should be quiet versatile as to what it is plugged into.
Thanks in advance.
photo reference:
http://strangedesign.org/forums/index.php?topic=890.0
https://www.facebook.com/media/set/?set=a.282494888444362.85475.270897539604097&type=3
In my own opinion I think it should be one of those low-to-moderate output humbuckers featuring probably a Alnico II or V magnet. I prefer to split the humbuckers too (though it is not a must, too much tone wizardry spoils tone), if so I think to get decent sound, we need moderate output pickups. I´d certainly like a combination of pickups featuring good mids, with tighter bass and not too shrill high-end, sort of a very good vintage clean tone with enough power to be well defined under moderate amounts of gain.
I would like to use this guitar live more often, and think that having mid presence would help me audible in the mix, with the other guitarist being mostly a mid-scooped. I play everything from blues/jazz to heavy rock/metal certainly nothing detuned. I m expecting this guitar to be played mostly for blues/jazz to heavy rock sorta thing.
As for amps employed, it varies from having to use Marshall one day to a fender twin the next day with multi-FX pedals. so it should be quiet versatile as to what it is plugged into.
Thanks in advance.
photo reference:
http://strangedesign.org/forums/index.php?topic=890.0
https://www.facebook.com/media/set/?set=a.282494888444362.85475.270897539604097&type=3

