T. Erickson
New member
I have a new Mike Shannon Custom Shop Jackson SL2H-V Vintage Series Soloist with a polar body, non-recessed Floyd, EVH volume pot, an '81 era Rhoads prototype smaller headstock, and gold Rhoads prototype Jackson logo, that compared to my Custom Shop "Lucky 7" Charvel has less defined and less percussive lows, less growl, and sounds less open overall, and I was wondering if a Duncan Distortion in it, rather than the JB that's in it now (Charvel has a JB too but in that it's perfect) might get the Jackson closer to matching up on the same level with the Charvel? Since basically a JB and Duncan Distortion have a similar EQ curve, which is good since I like high mids for cut and singing leads, but the Distortion has a ceramic magnet, that might tighten up the lows, have a little more growl, be a little louder, and open it up a little? It also have a '59 in the neck on the Jackson, which lacks enough sweetness on leads & harmonies, and is slightly muddy overall, and on cleans it sounds kind of boring, so I was thinking maybe a Jazz, since my Jazz in my old Rhoads always sounded much better than a '59, any thoughts guys? This guitar is incredible but needs the exact right pickups but nothing that lacks high mids, growl, and a good mix of open top clarity, sweetness on leads, and attitude! Similar to Lynch tone on "Under Lock And Key" in a song like "The Hunter" to be exact! My Charvel through my EVH 5150 III nails that style, and with the right pickups, so can this killer Jackson!! Any input is GREATLY APPRECIATED!! :cool2: