Pimp my PRS

Re: Pimp my PRS

Don't Compensating Guitar Nuts only affect the pitch of the string when it's being played open?

No. With the nut moved slightly closer to the 1st fret it affects the relative pitch of the fretted notes as well
 
Re: Pimp my PRS

I'd leave the tuners alone, and just do the pinch lock stringing technique.

The only mods I'd do are changing it to a 3 way toggle with a pullup tone knob, if you need to split them. A set of Duncans is usually an improvement.

Graphtech probably has saddles that'll fit on the PRS, although string breakage is almost always a result of heavy handed playing, which should be corrected on your end, if you're consistently breaking strings.
 
Re: Pimp my PRS

I'd leave the tuners alone, and just do the pinch lock stringing technique.

The only mods I'd do are changing it to a 3 way toggle with a pullup tone knob, if you need to split them. A set of Duncans is usually an improvement.

Graphtech probably has saddles that'll fit on the PRS, although string breakage is almost always a result of heavy handed playing, which should be corrected on your end, if you're consistently breaking strings.

I agree on the string breakage. The PRS saddles have very gentle breaks the strings go over. I have never heard of serious string breakage issues on a PRS. I'm pretty sure they do make Graphtec saddles for those bridges. They will change the tone a bit though.
 
Re: Pimp my PRS

How? It doesn't change the length of the vibrating part of the string - the section from the fret to the bridge.

You set the intonation based on open and the 12th fret yes? By moving the nut forward and intonating to the twelfth fret, you have effectively moved fret 1-11 back a hair which compensates for the string stretch when you fret a note.
 
Re: Pimp my PRS

Uh... no, because it doesn't change the position of the frets.

Scale length isn't determined by position of the frets. Scale length determines the position of the frets though. Halfway point should be where the twelth fret fretwire falls. If you meant for when you are playing further up the neck I understand what you mean.

However we are not working with perfect mediums and small adjustments are needed to get instruments to play in tune, thus the use of saddles and compensated nuts.

Boat my honest question to you is: do you just look for threads to hijack and be argumentative in?

Luke
 
Last edited:
Re: Pimp my PRS

Scale length isn't determined by position of the frets. Scale length determines the position of the frets though. Halfway point should be where the twelth fret fretwire falls. If you meant for when you are playing further up the neck I understand what you mean.

However we are not working with perfect mediums and small adjustments are needed to get instruments to play in tune, thus the use of saddles and compensated nuts.

Boat my honest question to you is: do you just look for threads to hijack and be argumentative in?

Luke

If the frets haven't moved in relation to the bridge, how is the intonation any different except when the string is played open?
 
Re: Pimp my PRS

I don't know about the Feiten system, if it's equipped, but the Earvana system is what I prefer (and the only one I know) due to it fixing open chord open strings versus fretted. I mean, any time you can fret the low E 1st fret and the F natural is totally in tune, I'm sold :D
 
Re: Pimp my PRS

If the frets haven't moved in relation to the bridge, how is the intonation any different except when the string is played open?

I'm no physics buff, but this is the best I can do to explain it:

Basically, when you move where the cut-off point on the nut is for a specific string a little towards the bridge, you make the string shorter, and each of the frets comes into contact with the string earlier than they would have if the cut-off point was in its "normal" spot. This'll make the note a little flatter.

Its about the string as a whole, really, not just the space between the fret and the bridge.
 
Re: Pimp my PRS

If the frets haven't moved in relation to the bridge, how is the intonation any different except when the string is played open?

Read the earvana website: evidentally what they say is correct when their product works. I feel you, I've been there, and I asked these same questions. I don't prefer the Feiten system, but with Earvana, the jist is that the 0 fret (nut) for each string is different in terms of how far it's moved and how high it sits when played open.

Gibson%20Style%20Nut.jpg


It works. Basically, when you fret a note, you not only change the string length, but you increase the tension on it. I won't get into any more because I'm sounding like a commercial, but it works.

EDIT: But yeah, if yours is already compensated, don't use the Earvana on it unless you're willing to have the guitar modified (yet again). For what it's worth, however, I love the Earvana.
 
Last edited:
Re: Pimp my PRS

If the frets haven't moved in relation to the bridge, how is the intonation any different except when the string is played open?

But you have move the bridge saddles in relationship to the frets. By setting the intonation of open vs 12th fret with the nut repositioned the saddles are changed slightly from where they would have been with the nut in the traditional location
 
Re: Pimp my PRS

It's me Snowdog, I'm going by a new name cause someone in this forum had a problem with "Snowdog"

Any way, I appreciate everyone's input.
I'm learning a lot just by your replies. Some is over my head but in the end it's very helpful.

Thanks everybody

Peace out!
 
Re: Pimp my PRS

I don't understand this comment. I know what you mean by it, but I don't know where it's coming from.:eek13:


What colour is the guitar?

What I mean is ,,
I've only owned one Les Paul my whole life. It was a 1980 custom cherry burst. Beautiful with classic tone !! But the guitar was like an untamed beast. The guitar had retard strength. It was like driving a full jet car all the time. And it really did have just one gear, and that was "open throttle" gear.

Currently I'm using a Whale Blue PRS.
 
Back
Top