Lewguitar
New member
Best $300 amp on the market, IMO. An unbelievable value for a first amp. Of course this isn't my first amp. 
The band is kind of an oldies band. But we do a wide range of styles: Bob Marley, Toots and the Maytals, Marc Cohn (Walking In Memphis), Otis Redding (Dock of the Bay), Kenny Loggins (Danny's Song), Eric Clapton, Jimi Hendrix...
And when they want to pick it up I belt out some blues: shuffles like Walking By Myself or I've Got My Mojo Working.
First thing I found during sound check is that all of my presets that I'd worked out so carefully at home were to trebley. Had to turn down the treble two numbers on every preset that I planned on using: 7 to 5 for example.
Also found that I preferred my clean settings for rhythm to my semi-clean/lightly overdriven settings and stuck with the Twin Reverb Clean setting I'd put together for almost everything.
Also found that the overdrive settings I had so much fun with at home sounded inappropriate on the gig. To distorted. To much contrast. So I had to do a quick fix on those and clean 'em up a little, reduce the treble and add some bass and mids.
The way I arranged my presets worked well. I set up about 20 presets for my PRS w/humbuckers and 20 presets for my Strat w/single coils.
And the way I arranged them was to alternate CLEAN with SOLO/OVERDRIVE.
So #1 would be a CLEAN setting, #2 would be an OVERDRIVEN setting, #3 would be a CLEAN setting, #4 would be a OVERDRIVEN setting, and so on.
That way I could just use the footswitch to go up or down...from CLEAN up to OVERDRIVE and then back down to CLEAN again.
I tended to use the same CLEAN setting for almost every song.
The hardest tone to duplicate was just the sound of a blackface or tweed Fender Amp cranked up to 7. The presets I'd set up were always either to clean or to distorted.
Haven't found a good Michael Bloomfield tone yet.
Heavily overdriven tones like Gary Moore or Peter Green's Supernatural tone worked out well tho.
Santana's Black Magic Woman tone (a pair of Twin Reverbs turned way up I think) was harder to duplicate and my preset sounded to distorted. I need to work on that one, but the crowd liked it.
Santana's Europa tone is easier to get.
Haven't found a good BB King tone yet either. But no one sounds like BB.
So is the Mustang III going to replace my blackface Fenders? Sure works well for these extremely low volume gigs.
20 presets for each guitar is OVERKILL though. I found that I preferred using a couple of my favorite CLEAN settings and a couple of my OVERDRIVE settings the whole night, and didn't bother with the other 16 settings.
For gigs where I can turn it up I'd rather hear my Deluxe Reverb...and my Mad Professor Simble pedal which really nails a Dumble overdriven tone.

The band is kind of an oldies band. But we do a wide range of styles: Bob Marley, Toots and the Maytals, Marc Cohn (Walking In Memphis), Otis Redding (Dock of the Bay), Kenny Loggins (Danny's Song), Eric Clapton, Jimi Hendrix...
And when they want to pick it up I belt out some blues: shuffles like Walking By Myself or I've Got My Mojo Working.
First thing I found during sound check is that all of my presets that I'd worked out so carefully at home were to trebley. Had to turn down the treble two numbers on every preset that I planned on using: 7 to 5 for example.
Also found that I preferred my clean settings for rhythm to my semi-clean/lightly overdriven settings and stuck with the Twin Reverb Clean setting I'd put together for almost everything.
Also found that the overdrive settings I had so much fun with at home sounded inappropriate on the gig. To distorted. To much contrast. So I had to do a quick fix on those and clean 'em up a little, reduce the treble and add some bass and mids.
The way I arranged my presets worked well. I set up about 20 presets for my PRS w/humbuckers and 20 presets for my Strat w/single coils.
And the way I arranged them was to alternate CLEAN with SOLO/OVERDRIVE.
So #1 would be a CLEAN setting, #2 would be an OVERDRIVEN setting, #3 would be a CLEAN setting, #4 would be a OVERDRIVEN setting, and so on.
That way I could just use the footswitch to go up or down...from CLEAN up to OVERDRIVE and then back down to CLEAN again.
I tended to use the same CLEAN setting for almost every song.
The hardest tone to duplicate was just the sound of a blackface or tweed Fender Amp cranked up to 7. The presets I'd set up were always either to clean or to distorted.
Haven't found a good Michael Bloomfield tone yet.
Heavily overdriven tones like Gary Moore or Peter Green's Supernatural tone worked out well tho.
Santana's Black Magic Woman tone (a pair of Twin Reverbs turned way up I think) was harder to duplicate and my preset sounded to distorted. I need to work on that one, but the crowd liked it.
Santana's Europa tone is easier to get.
Haven't found a good BB King tone yet either. But no one sounds like BB.
So is the Mustang III going to replace my blackface Fenders? Sure works well for these extremely low volume gigs.
20 presets for each guitar is OVERKILL though. I found that I preferred using a couple of my favorite CLEAN settings and a couple of my OVERDRIVE settings the whole night, and didn't bother with the other 16 settings.
For gigs where I can turn it up I'd rather hear my Deluxe Reverb...and my Mad Professor Simble pedal which really nails a Dumble overdriven tone.
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