UberMetalDood
New member
It's a little bigger than my Raider, but lighter weight. Yeah, it sounds great. Fender has done a great job. I love the way it sounds, but something about the cosmetics doesn't appeal to me. I think it's the control panel. It has Blackface cleans, and I like the clean channel a lot; maybe even more than the Supersonic 22 which I think has excellent cleans. The gain is different than any Fender I've heard before. It's very clear sounding no matter how much gain you use. It's a very open sound and not very compressed.
The controls are uber sensitive and can be a little frustrating at first. The EQ controls are very interactive with the "notch" (mid shift) and dampening (loose, normal, tight). So far I found that it's best to set the EQ at 12:00, adjust the notch control, add or take away EQ, and fine tune the notch control. It's difficult at first to easily find a setting you previously used because the controls are so sensitive that if you're not real careful, you won't be able to dial it in exactly the same. I'm not going to lie, it's very tricky. When you adjust one thing, something else needs adjustment. It takes several hours to get comfortable dialing it in. I'd say it can be as tricky as using a Mesa Boogie. One thing about the control panel layout that I don't like is that there are no lines around the dial so it can be hard to tell where you're dialing it on demand in a gig.
The reverb is digital, but it's surprisingly good. I have no problem with digital reverb on this amp because it doesn't sound digital and not having a reverb tank reduces the weight of the unit. It's lighter than my Engl Raider combo.
It's an unbelievable amp though. Fender really went all out making this one. Funny thing is that it's marketed towards heavy styles, and it can definitely do all of that with the right settings, but it has a great range from pristine clean to dirty blues, classic rock, and 80's rock. The clean channel has a pull boost so you can get a great classic rock tone. Plus, if you put an overdrive in front of the boosted clean channel, you can get all kinds of awesome rhythm and lead tones.
It's expensive, but all Fender amps are starting to get very expensive now. It's made in the USA, has a Celestion Vintage 30, and comes with a footswitch. The manual sucks and doesn't explain how the controls work. It would have been really, really helpful if they made a better manual. However, you now have the review so screw the manual!
The controls are uber sensitive and can be a little frustrating at first. The EQ controls are very interactive with the "notch" (mid shift) and dampening (loose, normal, tight). So far I found that it's best to set the EQ at 12:00, adjust the notch control, add or take away EQ, and fine tune the notch control. It's difficult at first to easily find a setting you previously used because the controls are so sensitive that if you're not real careful, you won't be able to dial it in exactly the same. I'm not going to lie, it's very tricky. When you adjust one thing, something else needs adjustment. It takes several hours to get comfortable dialing it in. I'd say it can be as tricky as using a Mesa Boogie. One thing about the control panel layout that I don't like is that there are no lines around the dial so it can be hard to tell where you're dialing it on demand in a gig.
The reverb is digital, but it's surprisingly good. I have no problem with digital reverb on this amp because it doesn't sound digital and not having a reverb tank reduces the weight of the unit. It's lighter than my Engl Raider combo.
It's an unbelievable amp though. Fender really went all out making this one. Funny thing is that it's marketed towards heavy styles, and it can definitely do all of that with the right settings, but it has a great range from pristine clean to dirty blues, classic rock, and 80's rock. The clean channel has a pull boost so you can get a great classic rock tone. Plus, if you put an overdrive in front of the boosted clean channel, you can get all kinds of awesome rhythm and lead tones.
It's expensive, but all Fender amps are starting to get very expensive now. It's made in the USA, has a Celestion Vintage 30, and comes with a footswitch. The manual sucks and doesn't explain how the controls work. It would have been really, really helpful if they made a better manual. However, you now have the review so screw the manual!
Last edited: