PaulReedSmith
New member
Im getting more into jazz lately...and I think I am going to stick with it for a while anyway. Previous to this I have been mainly rock oriented in my soloing, and yeah mainly listen to stuff like Satriani, petrucci, etc.... Recently, I have listened to some jazz guitar artists, but not enough yet to make much difference.
Currently, I am working on a jazzy rendition of White Christmas for my schools Christmas program, and I have all the chords and stuff down right now.
However, I am sticking a section between the chorus of the song for a few instruments in my quartet (electric guitar, bass, drums, keys) to take a bit of improv soloing...it won't be completely improvisation because we will be practicing beforehand...but I would GREATLY (emphasis added) appreciate some tips on how to jazz up my soloing for my part.
The song is in the key of C major.
For the improv section it goes:
|Cmaj7 / / / |C#dim7 (or A7) / / /|Dm7 / / / |G7 / / Gb7 |(Fmaj7...)
for the Cmaj, I am thinking C lydian, but like how should I use C lydian? Arpeggios I guess?
for the A7 I am thinking A mixolydian?
The rest I dunno...Maj penatonic stuff works well and yeah I was blending in some extended Cmaj7 arpeggios (11, etc) and I am thinking...I could use different extensions on the arpeggios to suit the melody? Just some ideas...I would appreciate YOUR ideas though
thanks in advance for your much needed and greatly appreciated help. :wave:
Currently, I am working on a jazzy rendition of White Christmas for my schools Christmas program, and I have all the chords and stuff down right now.
However, I am sticking a section between the chorus of the song for a few instruments in my quartet (electric guitar, bass, drums, keys) to take a bit of improv soloing...it won't be completely improvisation because we will be practicing beforehand...but I would GREATLY (emphasis added) appreciate some tips on how to jazz up my soloing for my part.
The song is in the key of C major.
For the improv section it goes:
|Cmaj7 / / / |C#dim7 (or A7) / / /|Dm7 / / / |G7 / / Gb7 |(Fmaj7...)
for the Cmaj, I am thinking C lydian, but like how should I use C lydian? Arpeggios I guess?
for the A7 I am thinking A mixolydian?
The rest I dunno...Maj penatonic stuff works well and yeah I was blending in some extended Cmaj7 arpeggios (11, etc) and I am thinking...I could use different extensions on the arpeggios to suit the melody? Just some ideas...I would appreciate YOUR ideas though
thanks in advance for your much needed and greatly appreciated help. :wave: