I will just make a real generic statement that the 59, Custom, JB, and DD are the big flavors that cover the most ground for Duncan Humbuckers, many of the other pups are variants of those four big tonal areas.
The Custom 5 is a cool pup that falls into the Custom range, but has the mid scoop of the 59 with the output of the Custom. Some find it a little bland due to less mid range, others think it is a very good compromise between vintage PAF flavor and higher output rock/metal pups....the Custom 5 does go from vintage tones to metal with the right amp (as does the Custom)
haha Mr. Raisin, I bet you didn't anticipate this zealous of a response!
again, WELCOME!
Disagree 100%
I've had pickups that were absolute mudbaths or icepicks react well when stuck in guitars of different body woods. Some pickups are fairly universal, like the Super Distortion, Custom, X2N, 59, EMGs, etc., but others can react poorly. I had a Dimarzio Double Whammy that was horrible in alder and basswood but reacted well with Agathis. I also had one guitar that everything I put in it was so bright that I was wondering what the hell was up until I stuck a Tone Zone in it and that evened it out.
+1. And by 'wood' we mean body, neck, & fretboard. Design is also a factor. A large mass, like an LP, is going to have a definite impact on tone and sustain. Wood is a large part of tone, and can be unpredictable.
I'm not saying that the wood used in the body of the guitar is the sole factor playing here nor is it not having any influence at all. But when you sum up the components I believe it plays a very little part. If I were to point at the most tone-changing factors I'd go amp then pups and stick fingers somewhere in between.
Oh ok yeah this all makes sense. I will definitely replace the pots and all that other stuff and then see how it goes from there.