R7's and R8's are steals now!

martin6string

New member
I guess given the state of the economy all prices on guitars are down, but heck I'm seeing R7's and R8's going for really reasonable prices now. I can't see buying a new Standard when you can get a minty R7 or R8 for less money. If I only had more cash to spend on gear now......
 
Re: R7's and R8's are steals now!

Oh man, I'd love to have an R7 again.........I LOVED that guitar.
 
Re: R7's and R8's are steals now!

There are good deals on a lot of stuff right now, but for the same reason, a lot of people, like me, don't have the extra cash to spend right now. Even the discount-unfriendly GC had some good deals on high-end Gibsons this weekend; I was very tempted by a tasty looking R6.
 
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Re: R7's and R8's are steals now!

I think R7's in particular have always been reasonably priced used at around $1800-$2000.

On the other hand, I see way too high asking prices and stuff not really selling. Even my own stuff is moving really slow compared to normal. It's putting a dent in my gear-whoring and causing me to pass on a lot of impulse buys. I've been watching PRS and I'm not seeing very good deals overall. In fact, I'd say used McCarty and CU22/24 prices overall are a good couple hundred higher than a year or two ago. Lots of auctions ending unsuccessfully.
 
Re: R7's and R8's are steals now!

I'm keeping a close eye on LP Classics and Standard Fadeds. Those guitars with the 60's neck fit me like a glove and I've never been much for a Gibson guy but those guitars gave me serious GAS.

*looks around* what can I sell?!?

Oh man, if only I hadn't had to use my stimulus check to pay for a traffic ticket and use the rest of that PLUS the money from selling my .45 to get money to move!!! I also could've bought an Egnater Tourmaster instead of my Bogner and had the extra funds that way but I can't give up the Bogner now either. ****able GAS!!
 
Re: R7's and R8's are steals now!

The prices for Gibson are ridiculous. You can find some good deals on R# guitars on the bay and stuff, but not compared to three years ago. 05 I think was the best year for historics - before they went to that overpriced VOS crap and raised the prices sky high.

Too bad their ES-335 prices are soooooo darn high it's whack. The standard "ES-335 Reissues" are not great, heck I personally don't like them at all and they still go for well over two grand. I guess I'll be lookin Hamer for a hollowbody, Gibson is rele gettin on my nerves the last few years.
 
Re: R7's and R8's are steals now!

I'm keeping a close eye on LP Classics and Standard Fadeds. Those guitars with the 60's neck fit me like a glove and I've never been much for a Gibson guy but those guitars gave me serious GAS.

*looks around* what can I sell?!?

Oh man, if only I hadn't had to use my stimulus check to pay for a traffic ticket and use the rest of that PLUS the money from selling my .45 to get money to move!!! I also could've bought an Egnater Tourmaster instead of my Bogner and had the extra funds that way but I can't give up the Bogner now either. ****able GAS!!

I hear you dude. I wish I had a killer SG with that slim 60s profile neck...OH WAIT!!!!!!

:joke:
 
Re: R7's and R8's are steals now!

Let me ask a stupid question.. I only have access to LP studios and standards.. What are R7 and 8s and what makes them desirable??
 
Re: R7's and R8's are steals now!

^ I didnt know either. R), R6, R7, R8 and R9, but i did find THIS:

QUOTE-"the R series is built to the same exact standards as the originals. I think a regular Les Paul Standard from today has some modernizations to it. I know the pickups are different for sure ... they use 490T and 498T ceramic pickups. The R series is supposed to be a point-by-point reconstruction of an original from whatever year, 1957, etc. Vintage-style pickups, too. My R8 is the best Les Paul I've ever played, and it has Bustbucker pickups in it. I've owned four LP's, one of them being an original Black Beauty Custom from 1969, that had the original Pat. pickups in it. The R8 kills it, though.

The disclaimer that I'll give, though, is that Gibson is so inconsistent. Just because it's an "R" series guitar doesn't mean it will be a good one. I played other R8's side-by-side with the one I ended up getting, and the others weren't nearly as good overall. Bottom line ... try before you buy. There is nothing in the world like a great Les Paul, but you really have to try them first. A lot of them are real dogs, sorry to say.

Doc
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#14
06-25-2008, 01:10 PM
Tuco
Member Join Date: Jul 2007
Location: Pacific NW, USA
Posts: 76

I'm gonna be as brief as possible.

The Gibson Custom Shop Historic Les Pauls are Gibson's best attempts at recreating the iconic Les Pauls of the '50s. Since the official program got started in the '90s, they have used many original examples as templates for their reissues. However, and the real nitpickers will agree, Gibson's Custom Shop has consistently failed to get all of the details right. Complaints have ranged from incorrect top carves to wrong glues in assembly to lack of Brazilian Rosewood to lack of top notch electronics to the dreaded truss-rod condom, and the list goes on and on. However, most would agree that they are a better choice for a "replica" than any of Gibson's other efforts.

When compared to Gibson's other LPs, the Custom Shop gets first choice of the woods. While machines do much of the rough carving, the CS instruments do get a lot of hand shaping and other personal attention.

The Custom Shop's program has undergone a number of changes through the years. Instruments from the '90s are well respected for their accurate neck shapes (for some reason, the necks took on more shoulder in the 2000s). However these same instruments had their flame "enhanced", something the original LPs certainly did not have.

Also, the ABR-1s on the 2002 instruments lack a retaining wire, just like the originals. But that only lasted one year.

In 2003, the marketing department decided that people were getting a bargain on the R8s, because while they sported flame tops often as good as the R9s, but the retail price was cheaper. So from 2003 forward, the R8 has been a plaintop burst (there are a few exceptions here and there).

Quote:Originally Posted by shawntp
also - were there really that many differences going on in Les Pauls between 1956-1960?

I imagine p90 to humbucker but I for one have never understood the market for each individual year and the changes implemented in the various reissues.

No, there weren't many differences in the original LPs between '56 and '60, except for the switch to humbuckers in '57 and the switch to a slim-taper neck in '60. Some will argue that the switch in humbuckers from long to short magnets was a profound change in PAFs, but there seem to be many detractors to this arguement.

One should keep in mind that guitar production in the '50s involved much more hand work than today. Today's computer aided machines allow tighter tolerances and specs. Instruments from the '50s and '60s will vary more when it comes to necks shapes, top carves, and hardware placement.

Quote:Originally Posted by smolder
So - an R9 can be a reissue, a historic, and a custom shop or not? Would a classic be called an R7, R8?

The R* designations are reserved for the Gibson Custom Shop Historic Reissue program.

Hmm, that's a lot more than I thought I would say, and there's a lot more I could say, but unfortunately, I don't have time at this moment.

#15
06-25-2008, 01:14 PM
MikeB_18
Senior Member Join Date: Aug 2007
Location: Southeastern, PA
Posts: 358

Quote:Originally Posted by smolder
So - an R9 can be a reissue, a historic, and a custom shop or not? Would a classic be called an R7, R8?

An R9 is a Historic model as are the rest of the "R" guitars. All Historics are made in the Custom Shop.

No, a Classic is a standard production USA model, although not to confuse you but I have seen a few Classic's that are made in the Custom Shop, however they have a stamp on the back of the neck" -END QUOTE
 
Re: R7's and R8's are steals now!

Let me ask a stupid question.. I only have access to LP studios and standards.. What are R7 and 8s and what makes them desirable??

I refer to them as guitars for r-tards. They are reissues of various types. I tend to believe that they are primarily for tone snobs who think it HAS to be built vintage to sound good. No offense intended (well - maybe a little) r-guys. I'm just saying I have two Norlins that can hang with anything you are playing.

I think Jerry nailed it (hmmm - seems like that's been said before) Gibson is so inconsistent that you can't trust anything from them. I agree - you have to feel it and hear it to be sure. Just because it has an R guarantees one thing: More expensive.
 
Re: R7's and R8's are steals now!

ES-335 prices are soooooo darn high it's whack. The standard "ES-335 Reissues" are not great, heck I personally don't like them at all and they still go for well over two grand.

Used Epi Sheraton II. All the tone, and way more style for 4 bills on a good day!
 
Re: R7's and R8's are steals now!

I refer to them as guitars for r-tards. They are reissues of various types. I tend to believe that they are primarily for tone snobs who think it HAS to be built vintage to sound good.
I could care less about vintage correct appointments and actually wouldn't know what they were supposed to be anyway. All I know is the historics I've owned have been more consistently better guitars than most the production gutiars I've owned. I have played Historics that weren't the greatest, and productions that were exceptionally good. But as a general rule, the historics are nicer guitars. Its just up to an individual if they are enough so to justify the cost. In all my gear-whoring and flipping guitars, the one I just can't let go is in fact an R7 gold top. Best guitar I've ever owned hands-down.

R72.jpg

R72back.jpg




The best SG I've ever owned, also an Historic (although a sub -$1,000 Special 67RI GOTW was very close)

IMG_7731.jpg

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I paid $2400 for the R7 and $1750 for the SG and I consider them both worth it.
 
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Re: R7's and R8's are steals now!

Aceman...don't be hatin!

Maybe I am just an "R-Tard" but the truth is that I have played a lot of Gibson guitars over the years ranging from real 50's LP's and hollowbodies to 2008 Gibsoins of various models and I will say that hands down the BEST sounding, feeling and playing Gibson guitars I've ever played were made from the middle 50's to the middle 60's and the ONLY guitar that come close to that feel and tone fro me at all are Historic and VOS reissue guitars.

I will also say that the Norlin era guitar guitars I've come to know are, 9 times out of 10 not worth pissing on to put out a fire. 10-15 years ago those guitars sold for nearly nothing becuase to be honest they are mostly pretty terrible and now simply because they are old the prices have gine through the roof...

If you've got a good Norlin or 2 thats great for you but I've yet to find a great one...
 
Re: R7's and R8's are steals now!

Let me ask a stupid question.. I only have access to LP studios and standards.. What are R7 and 8s and what makes them desirable??

The historic Les Pauls are the only ones not currently chambered (unless it says so) and they haven't been swiss-cheesed before Gibson chambering madness either. All other capped Les Pauls including Custom Shop ones have been swiss-cheesed for a long time and chambered since 2005.

This also means they get the lighter wood in the first place. They get first grabs on the incoming mahogany. Whether the light wood is always the better sounder is a different matter.

Most of the historic Les Pauls have some form of longer neck tenon, the neck extends further into the body. Again, whether that makes an audible difference is a matter to discuss but from my POV the longer neck tenon just gives you a better chance of having a nice guitar by making more pieces of wood transport sound through the neck joint properly.

Then there's the ABR-1 bridge. The bridge itself is sturdier and smaller, but more importantly the posts go directly into the wood, as oppose to Nashville posts which go into metal foundations anchored in the guitar's top (WTF?). That's a big deal in my book.

You also get fake bumblebee capacitors, random neck shapes nowhere close to real old Les Pauls and in the case of historic SGs non-fitting pickguards. But the custom shop as opposed to regular Gibsons might properly solder the pots and other stuff in the electronics cavity.
 
Re: R7's and R8's are steals now!

IMO it's all about the wood and the neck shape.

You're not going to have a mahogany guitar that's going to be both affordable and under 10 pounds.

While I don't think the weight relief holes are a bad thing, I'm not a fan of the chambered guitars.


BTW, I echo Christian's sentiments exactly.
 
Re: R7's and R8's are steals now!

Aceman, I bash Gibson's on here as much as anyone (and rightfully so) but, I have to even say the Reissues are better made guitars than their normal hit and miss overpriced garbage counterparts. I have yet to play a historic that was a turd.
 
Re: R7's and R8's are steals now!

IMO it's all about the wood and the neck shape.
You're not going to have a mahogany guitar that's going to be both affordable and under 10 pounds.
While I don't think the weight relief holes are a bad thing, I'm not a fan of the chambered guitars.
BTW, I echo Christian's sentiments exactly.

It is all about the neck shape and the wood...good call! When I want a Gibson I want a killer chunk of wood and a neck as fat as a log...I get that with Historics and VOS guitars...I don't get that with much else!
 
Re: R7's and R8's are steals now!

Aceman, I bash Gibson's on here as much as anyone (and rightfully so) but, I have to even say the Reissues are better made guitars than their normal hit and miss overpriced garbage counterparts. I have yet to play a historic that was a turd.

You ok Odie???:wow:
 
Re: R7's and R8's are steals now!

I bought a used R7 for $1700 2 years ago and used that as my main stage guitar for a year...then I got out of the band and started flipping gear! Would love to have that guitar back but can't find that deal again. Most people are asking $2K and up for their used ones. I've had a few R7s and that one was special.

I have seen some VERY nice used plaintop R8s for around $2300 and some GC R0s in the $2000 range.

Then again, this 2007 VOS R8 in vintage red only cost me $2200 BRAND NEW back in April. It's got a couple of minor dings on the edge of the headstock so that allowed me to get it.

RITAHAYWORTH2.jpg
 
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