Your idol:
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If anything I found the LP in the beginning too bright. The tele was great.
You really need to lose that mentality that Fenders are inferior. They're only different, and how dare someone else have a different taste.
Semi hollows have been my primary guitar of choice for well over 40 years. I think it's accurate to say that the differences between a semi hollow and a solid body guitar are subtle. With a solid block of wood running the length of a laminated, fairly rigid, and thin body it's a bit optimistic to expect a whole lot of resonance to be going on. However, I also think that there is enough additional resonance to make a distinction between the two. That subtle difference is an important thing because if you know how to use it and take advantage of it there is a place that exists between the world of the solid body and the Jazz box (subtle as it may be) where the semi hollows live and perform very well indeed. And, once again, I'll say that I agree that the difference is subtle. I think it was described best when I once heard someone say, "I can't explain it, but I know it when I hear it."
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I'm happy to see another 70s/80s Ibanez guy here. That Yamaha, however, is one of my grail guitars.
There's a certain bite and responsiveness that most solidbodies don't seem to have. They're always a little closer to that wild, hairy feedback, centerblock or not, and it's fun to have that on tap.
Bonus? Bigass guitar bodies hide the lovehandles! Sounds good/looks good. Win/win.
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So, you're saying that this is great tone??!! Yes great playing, but after 20 seconds I HAD to ignore it or turn it off.
The tone's a little thin, but anyone who can play Page note-for-note is okay in my book.
Oh hell! Page can't even play Page note for note half the dam time!
I'm just razz'n ya bro. Page is one of my favorite players, but I've heard more than a few live spots of him and was left wondering "was he even playing the right song?"