Re: Reviews of the Custom Series Pickups
Custom 5.
I'm a big fan of Alnico 5, in both humbuckers and strats. Alnico 5 is usually dubbed the "musical magnet" because of it's ability to naturally reproduce the tone of the guitar, while sending a well balanced signal to your amp.
My favorite humbucker tones have always been from pickups that are similar to the '59 or JB, so when I'd heard that Duncan had released a pickup that was basically a 59 with deeper, tighter lows, and expanded output like the JB, it didn't take long before I had this pickup in my #1 Paul, a goldtop.
This replaced a list of humbuckers that hadn't quite nailed what I was looking for, like the Gib 57 Classic, JB, CC, and Fralin, for instance. The Custom 5 is a high output pickup with a tight percussive bottom end, but seems to leave the mids and highs sounding like most good vintage Alnico 5 pickups. It's one of the very few pickups that excells equally good at clean, midgain, and super highgain, but you've got to love the sound of your guitar and amp or you may not be impressed with the C-5.
Since then, I've installed it into these guitars, with these results.
Les Paul 57 Reissue Goldtop w/pullup tones to split. Amazing. Perfect balance.
You can still hear the stringy nuances, but has nice punch, power, harmonics.
Les Paul Std Prem Plus. Sounded just as good as the goldtop, but the highs were just a touch bright. I swapped it's magnet for an Alnico 4, so the pickup is now a Custom 4. Now, the pickup is extremely articulate, with smoother mids and highs, and the bass is a little rolled off, compared to the C-5.
57 Black Beauty (all mahogany) In this guitar, the Custom 5 sounds huge. Most complaints about the C-5 being hollow in the mids are by guys who used it in hollow sounding guitars....not the mahogany Custom! The wood naturally fills in the mids, which is exactly what I want to hear! The C-5 delivers crushing lows and airy highs on this guitar.
PRS McCarty. The Custom 5 corrects just about every complaint a person could have about PRS's tone. PRS's tend to be nasal in the mids, bright on top, but tight on bottom. Now, add the C-5! The lows are even tighter, the low mids are where they should be, and high mids are pulled back, and the highs are still present, but less icey.
Am Std Strat. Here's where the Custom 5 is purely a matter of taste. I can understand any complaints about the C-5 sounding more transparent here, but you've also got to consider that it tonally balances with singles because of that fact. On my strat, if I go from the 2 Fat 50 singles to a JB or CC, it'll be like jumping to another guitar. If you go to a Custom 5, it still has that hollow airy tone like singles, only you hear it in a humbucker form. I really like the way my strat sounds with the C-5, but I'm not as stuck on it as I am with the LP's and PRS's. You won't be disappointed at all with the C-5, but if you want more mid punch, you may be better with JB, Custom, or 59. I've put a CC in strats and I think the lack of density in a strat chokes off the CC's highs, so I went to the C-5. I like it, and will probably keep it, but I may do more experimenting till I nail the tone I want.
Continued below.