Revisiting the Red Special

Re: Revisiting the Red Special

That isnt my work haha i am way more amateurish than that, sorry thought that was obvious.
 
Re: Revisiting the Red Special

The workmanship on the thread guitar looks amazing, and i don't want to piss on anybody's parade, but didn't brian make the original guitar from a solid lump of oak that used to be above a fireplace and carve out the hollows? Those regular lines in the xray could just be growth rings.
 
Re: Revisiting the Red Special

The workmanship on the thread guitar looks amazing, and i don't want to piss on anybody's parade, but didn't brian make the original guitar from a solid lump of oak that used to be above a fireplace and carve out the hollows? Those regular lines in the xray could just be growth rings.

Got his from wiki ''The body was made from oak from an old table, blockboard (strips of softwood sandwiched between two plywood skins)[6] and mahogany veneer''
Who would think hey one of the most iconic guitar tones in the world came from that.
 
Re: Revisiting the Red Special

That is just incredible work , attention to detail will get you what you want 100% of the time. Have thought about getting one of the newer ones they make now for quite awhile.
 
Re: Revisiting the Red Special

Yep, the guy's got it right. Our Pete C. knows him, and we talked a bit about the RS Mk.1 that was before this one. *Sigh* I hope to have one some day. Now that information about the guitar is widely available, it's much easier to make an accurate replica than it was 10-15 years ago.

The guitar puts paid to all the cork sniffery surrounding 'tonewoods'. The original is indeed blockboard and oak, and assembled just as this guy has done it in alternating the different layers.

People like to complain about the expense of RS replicas, but the reason for that is that so much has to be custom made, like the bridge and trem; and time consuming - like the sandwich construction of the body etc., and if you want to do a nice job, multiply that.

The pickups are a bit special too - neck one has no baseplate, which changes the sound considerably when used in isolation and others, especially out of phase. This was a mod Brian and Dad did in the early days.

Can't believe the guy managed to source the original Jean Renaud slider switches...

Other makers of nice replicas these days are Cquadro in Italy and Dansan in France.
 
Re: Revisiting the Red Special

I personally dont know too much about the red spesh, I just really like his workmanship and i know a lot of guys would be interested,
 
Re: Revisiting the Red Special

I found it very interesting, and yes that guy did an amazing job!
 
Re: Revisiting the Red Special

Wasn't it supposed to be mahogany from an old fireplace?
 
Re: Revisiting the Red Special

Apparently an F-hole makes quite a difference to the sustain and feedback response when playing at volume; someone did an experiment some years ago by building a replica with one.

Wasn't it supposed to be mahogany from an old fireplace?

Yes, the neck is from an old mantlepiece, presumably 18th century. Body is just veneered in the stuff.

I quite like the look of Cquadro's version of the Birch guitar, which was the first copy Brian commissioned in the 70s - made of maple with an ebony board, set neck and a spare set of pups Brian had.
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