Rickenbacker 481 - who remembers it?

Chris Pile

Well-known member
When I started in the music biz in the mid-70's, I worked a couple years at a store with a Rickenbacker franchise. We carried all of them - basses, guitars, the works. We even kept double necks in stock. One of the coolest guitars was a white 481 with black binding, bolt-on neck with 24 slanted frets, and these huge humbuckers that had a beefy non-Rick sound. It was easy to play, and I loved the tone - especially for crunchy rock stuff. Only made for a couple years, they are impossible to find these days. If I could find some of those pickups, I'd build a whole guitar around them - they were uniquely cool.

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An 8˚ tilt on all the frets was an option Rick offered on the 360 from 1968, then in the 70s they came out with the 481. I think this is talked about in Tony Bacon's Rickenbacker book in passing, not much info out there. A cool obscurity.

Where exactly Ibanez got the idea for the Q guitars (which also have an 8˚ tilt), no idea.
 
I think I dig the 360 a tad more in this format. Looks a bit more subtle too. I think they had a patent on this slant as well, but assume it has expired?
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I'm gonna say a request by certain artists who consult for Ibanez.

Could be. There seems to be a lot more broader artist involvement in recent times.
 
I've never heard of that model but it's a very interesting idea. I'm curious enough to make a neck with slanted frets just to see how it feels.
I understand how some people may have a hard time with Ric necks, but they are not difficult to get used to if you play them for more than a few minutes. (They certainly aren't shred necks).
 
The modern version of fanned frets is to have a different scale length for the lower strings, so they sound better. But I like this ergonomic reason better. I wonder why it never took off?
 
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