Re: Ritchie Blackmore
Mr_X said:
thanks for the input guys, but how in the world do i use a tube tape recorder as a pickup booster? i've never heard of tube tape recorders too. pardon my ignorance.
Hey Mr_X; A tube tape recorder could be either of (at least) two things: An old reel-to-reel tape recorder that was built before transistors and solid-state became the "norm", or one of the "audiophile" reel-to-reels built by companies like Studor, Revox, or Tandberg et al. Since these recorders were meant to record a microphone input, they had pre-amps - tube pre-amps, to be exact. And that pre-amp could be overdriven, or overloaded, just as any tube amplifier can. The "tone" one gets from overdriving a tube amplifier stage, is the quintessential guitar tone. Its a warm, smooth, distortion thats rich in overtones, or odd harmonics. I don't want to go overboard in "tech-talk" but transistors tend to generate even harmonics when overdriven, which aren't as pleasing to the ear.
So, basically, it was used as an "effect", much the same way one would use an overdrive pedal, or a tube pre-amp today.
There was one more benefit of old tape recorders. When you try to record more signal on to a tape than it can hold, (saturation), you get yet another type of over-driven distortion. Its not unlike tube distortion, yet different.
Also, old reel-to-reels had a natural "delay" that would result from having a playback head that was separate from the record head. Since there was a physical distance between the heads, if you listened to the original and recorded signal at the same time, (easy to do), you get all these benefits rolled into one.
Finding an old tube tape recorder is like finding a plethora of "soft" and delay effects in one box. Even if its solid-state, you still get 2 out of 3 of those effects. Its one of the reasons I keep an old Teac 2340S fired up on my "guitar-bench" at all times.
Hope that wasn't
too long-winded.
Artie