I remember when I heard Painkiller (when it came out) the first time... specifically the title track.
The arpeggios during the pre-solo had me rolling on the floor laughing my ass off... I thought, "hey, when did Yngwie join JP?" :nana:
My cousin played this for me, which bummed-me-out, badly! The only thing worse than sweep arpeggio playing, is 'slap' bass playing. I do use arpeggios occasionally, but only when entering, middle, or exiting a progression. Never sweeping, staccato only. David Gilmour's "Time" triad arpeggios are a prime example of class and restraint.I remember when I heard Painkiller (when it came out) the first time... specifically the title track.
The arpeggios during the pre-solo had me rolling on the floor laughing my ass off... I thought, "hey, when did Yngwie join JP?" :nana:
Thanks! I also have a second delay for it as well, which is what is in it now. I like to have a short and long delay for emulating a multi-head tape echo.Really cool! As said, I'm not in the market, but good luck with the sale!
My cousin played this for me, which bummed-me-out, badly! The only thing worse than sweep arpeggio playing, is 'slap' bass playing. I do use arpeggios occasionally, but only when entering, middle, or exiting a progression. Never sweeping, staccato only. David Gilmour's "Time" triad arpeggios are a prime example of class and restraint.
Class and restraint has its place. So does pure unadulterated over-the-top bad-@$$ery.
You'll hate this. Of course, you can't play it either.
This is technically and musically killer period. David Gilnour would tell you that.
Just wanted to be sure, I can only read so many pages of passive-aggressive/plain aggressive snipes at one another for something as trivial as an almost 40 year old guitar sound. Hell, that sound could come back altogether. There's been a resurgence in 80s aesthetics in popular music recently.I don't think the Cantrell has been mentioned, but I've heard something about it at some point, I am sure. In general, I suspect that this unit is present on a lot more than we are aware of.
I'm pretty sure you can get the sound with that modelling gear, it just takes time and effort, moreso than others because there isn't usually a Rockman amp model.Who knows? I do find it curious that no attempt has been made to model the sound by Line 6 or Fractal, given how ubiquitous it was at one point. If you are doing 80s covers, or want to use that sound for something, getting it in with modern gear is much harder than it should be – hence my original question.
Apropos nothing, I've heard rumours that Tracii Guns from LA Guns is still touring with a Rockman rig, but I haven't found any photos. Can anybody confirm this?
Jerry Cantrell used a Rockman on the "Dam That River" cut only. At least that's what I was told... Those parts are obvious when you hear them.I don't know if it's been mentioned but Jerry Cantrell's brutal "Dirt" tone is a combination of dual rectifier, bogner (fish iirc) and rockman headphone amp for treble texture. He's not the only one to combine the rockman sound for texture with real amps.
I have to say, I'm pretty disappointed at how closed-minded and elitist some people are acting here. People can like what they like. You not liking it doesn't make you better.