Seek feedback re: diagram for HSS, 1V/1T/push-pull coil split/5-way 2-pole OG switch

krm27

New member
This is my first guitar wiring effort, feel pretty burnt out spending hours watching videos and reading articles on how switch wiring works, and then applying that to my situation.

I apparently have a crapped out 5-way switch on my 80's Japanese import fat strat type guitar. Unfortunately, I opted for an Oak Grigsby 5-way, 2-pole switch, because I thought it would give me more options down the road for wiring if I wanted to play with different configurations. I say "unfortunately" not because it's a bad switch, but rather because it's near impossible to find any schematic using this switch which has a total of 12 connector options. So I had to try to understand the logic behind how switches work, then apply that to this switch, and I'm not at all sure I got it right because the logic of this switch seems different with its 6 terminals to a side (or stage?) rather than 4 terminals. I finally realized I was not going to know what I don't know unless I tried to diagram it and see what I'm doing wrong.

I've desoldered and removed the old switch, and need to wire up the new one. i'm hoping I won't need to re-do any of the other soldering, everything shown in the diagram is already wired up EXCEPT the 5-way switch.

The actual wires are all black or white, I did them in different colors in diagram for ease of following the paths they take, or will take. Another confusion is that I do not see 4 wires from the humbucker, but only 3 (not counting the bare wire to ground), so I'm really confused how it works with 3 rather than 4 wires -- one to tone, one to push-pull coil split, 1 to 5-way switch. But oh, well, it seems to work.

The logic of the diagram below, in my mind, is that in position 1, I have the neck pup going to terminal 1 on the left stage of the Oak Grigsby switch which I understand should suffice. Similarly, I have middle going to terminal 3 on that stage, and the bridge going to terminal 5 on that stage, then terminal 0 of that stage goes to volume. My understanding is, if I did nothing else, this would give me a "standard" 3-way switch effect, with no sound on positions 2 and 4.

In order to get pickup combinations in positions 2 and 4, I plan to split the neck wire twice and send one of those to terminal 2 and the other to terminal 4 on the left side, then split the middle and send that to terminal 2 of the right side and split the bridge and send that to terminal 4 of the right side, then send terminal 0 of the right stage to volume, too (or I guess I could wire the terminal 0's together? I just realized that may be the better approach). Anyway, my understanding was this would give me neck & middle in position 2 and then neck and bridge in position 4 (rather than middle and bridge as would be more standard).

This all hinges on my understanding that this Oak Grigsby 5-way, 2-pole switch (unlike any other 5-way switch I've found) has two stages/poles each with SIX terminals, so that one terminal from each stage can be dedicated to one switch position. Oh, I had thought instead of splitting the wires from the pups to send them to more than one terminal doing terminal to terminal wiring (so left terminal 1, from neck, could then be wired to left terminal 2 and left terminal 4 so that neck would be active in those positions as well, and then left terminal 3 (from bridge) could be wired to right terminal 2, so that position would be neck and middle. Then left terminal 5 (from bridge) would be wired to right terminal 4 so that position 4 has the bridge active, too. Now that I write it out, that seems to match more of what I see than splitting wires from the pickups themselves. Does that sound right?

Lastly, if anyone can steer me to some GOOD resources on this type of Oak Grigsby 5-way, 2-pole switch I'd appreciate it. The only thing that came with it was a diagram which simply shows which terminals are connected to terminal 0 in each of the 5 positions, which I can see just looking at the switch itself since it's open. I'd really like to see anyone else with a wiring diagram using this switch for HSS or even SSS set up.

Thanks,

Ken
 

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Re: Seek feedback re: diagram for HSS, 1V/1T/push-pull coil split/5-way 2-pole OG swi

The super switch diagram you posted in the corner makes sense. I'm having trouble following the rest of it. Why are the hot leads from the pickups also grounded to pots? It seems like you have everything grounded to the back of a pot?

And yes, if you want a pickup active in more than one position, just connect the lugs on the switch and just solder the pickup lead to any one of the respective lugs.
 
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Re: Seek feedback re: diagram for HSS, 1V/1T/push-pull coil split/5-way 2-pole OG swi

Thanks for feedback. About the Oak Grigsby plan, does that mean that I don't even need to use stage 2 / the right six terminals? I used the right terminals for one of the two pickups I was combining in positions 2 and 4 because somehow I had the notion that if I bridge terminal 1 and 2 on the left stage, and also bridge position 3 and 2 on the left stage, that will inadvertently bridge positions 1 and 3 and it will make ALL positions 1, 2 and 3 the same, both neck and middle. My assumption was that if I instead bridged 1 and 2 on the left stage, and bridge 3 and 2 on the right stage, that somehow would avoid this possible issue. But I'm really sketchy on whether I figured that right, or I'm jumping at shadows.

Regarding all the grounds, it beats me why there are so many. It's all diagrammed how I found it when I got the guitar, except for the wires I show going to the proposed Oak Grigsby switch. So each single coil pickup has a thin black wire going into the control cavity, and to ground, PLUS a black sheath that holds two wires, one of which ALSO goes to ground, and then one to the 5-way switch. I also do not understand why I only have three sheathed wires and one bare wire coming from the humbucker, since everything I've seen says I shoud have four wires (or maybe 2 if they're wired in series and that wiring is not in the control cavity?) but it works.

For me, the real mystery is why the connection from volume pot to tone pot has TWO ground wires coming off it. Why does it need any? Did some one have to lengthen the wire and is there some reason to send a wire to ground wherever you join two wires together? I have half a mind to de-solder everything in the control cavity and re-solder it all the way I think it should be, which would be a lot simpler. But, then, it all seems to be working but for the switch, so the extra ground wires are not causing any shorts. "If it ain't broke, don't fix it."

Ken
 
Re: Seek feedback re: diagram for HSS, 1V/1T/push-pull coil split/5-way 2-pole OG swi

Thanks for feedback. About the Oak Grigsby plan, does that mean that I don't even need to use stage 2 / the right six terminals? I used the right terminals for one of the two pickups I was combining in positions 2 and 4 because somehow I had the notion that if I bridge terminal 1 and 2 on the left stage, and also bridge position 3 and 2 on the left stage, that will inadvertently bridge positions 1 and 3 and it will make ALL positions 1, 2 and 3 the same, both neck and middle. My assumption was that if I instead bridged 1 and 2 on the left stage, and bridge 3 and 2 on the right stage, that somehow would avoid this possible issue. But I'm really sketchy on whether I figured that right, or I'm jumping at shadows.

So, ignoring all the extra ground connections for now...

They way you have it wiring the diagram, you have the neck pickup active in positions 1, 2, and 4. Middle pickup active in positions 2 and 3. Bridge pickup active in positions 4 and 5. You do need to use both poles of the switch to accomplish this.

Regarding all the grounds, it beats me why there are so many. It's all diagrammed how I found it when I got the guitar, except for the wires I show going to the proposed Oak Grigsby switch. So each single coil pickup has a thin black wire going into the control cavity, and to ground, PLUS a black sheath that holds two wires, one of which ALSO goes to ground, and then one to the 5-way switch. I also do not understand why I only have three sheathed wires and one bare wire coming from the humbucker, since everything I've seen says I shoud have four wires (or maybe 2 if they're wired in series and that wiring is not in the control cavity?) but it works.

Hmm. So the humbucker with three wires: this is fine and not uncommon, particularly with factory/stock humbuckers. One of the wires is north start (connect to the switch). One of south start (connect to ground along with the bare wire). The other wire is the combination of the north finish and the south start wires. They just pre-combined them to make the factory wiring easier/cleaner. That wire you just connect to your coil tap switch. Ground it, you get just the north coil. Short it, and you get just the south coil.

As for all those extra ground wires, I really don't know, but I guess if they're grounded from the factory just keep doing it. That, I've never seen before but who knows. From your diagram, I just wasn't sure if you were simultaneously grounding your hot pickup lead, because that obviously wouldn't work.

For me, the real mystery is why the connection from volume pot to tone pot has TWO ground wires coming off it. Why does it need any? Did some one have to lengthen the wire and is there some reason to send a wire to ground wherever you join two wires together? I have half a mind to de-solder everything in the control cavity and re-solder it all the way I think it should be, which would be a lot simpler. But, then, it all seems to be working but for the switch, so the extra ground wires are not causing any shorts. "If it ain't broke, don't fix it."

Ken

Got me. Seems like some strange things going on there, but if it's working it must be OK.
 
Re: Seek feedback re: diagram for HSS, 1V/1T/push-pull coil split/5-way 2-pole OG swi

Thanks, now I understand better.

Oh, I have a theory about the extra ground wiring. It loosed to me like the wire (yellow in diagram) running from volume to tone has two splits/splices that go to ground on volume and tone pots, respectively. However, on further thought, I think there's simply a wire going from volume to tone terminals and then a second wire going from pot to pot to "marry" the grounding of the two pots, perhaps to improve overall grounding. And then I'm thinking Yamaha sheathed those two wires together since both run between the volume and tone pots.

Ken
 
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