Seymour Duncan Announces ‘59 Model Limited Edition 50th Anniversary Custom Shop Set!

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‘59 Model Limited Edition 50th Anniversary Custom Shop Set

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Own guitar history. Only 500 Custom Shop sets commemorate fifty years of Seymour Duncan's legacy. Each features signatures from Seymour W. Duncan and MJ, original-spec construction, and an iconic 1959 P.A.F. tone that has been a player favorite for decades. This is a true collector’s piece honoring the history of Seymour Duncan.


  • Ultra-Limited Collectability- Only 500 sets produced worldwide, each hand-built by Custom Shop masters with decades of experience
  • Signed and Authenticated– Bottom plates bear signatures from Seymour W. Duncan himself and Maricela “MJ” Juarez, plus original replica "Seymourized" stickers
  • Original-Spec Construction– Built exactly as our very first '59s were, with butyrate bobbins, long-legged baseplates, single-conductor cable, maple spacers, and rough-cast Alnico V magnets
  • Iconic P.A.F. Tone– Captures Seymour's idealized 1959 humbucker voice (open, airy, and dynamic)
  • Exclusive Anniversary Packaging– Special commemorative presentation celebrating this 50-year milestone celebration.
  • DC Resistance: Neck 7.6k - Bridge 8.2k - Magnet: Rough Cast Alnico V Cable: 1c Braided - Long Leg Bottom Plate
  • Available in traditional Black and Zebra
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Since 1976, Seymour Duncan has helped define the sound of the electric guitar by honoring tradition while advancing craftsmanship. The ‘59 Model Limited Edition 50th Anniversary Custom Shop Set celebrates Seymour's personal vision of an ideal P.A.F.-style humbucker, shaped by decades of hands-on experience, careful listening, and an appreciation for the many voices that made the originals legendary. Hand-built in the Seymour Duncan Custom Shop in a single run of only 500 sets, this release honors the legacy behind one of the most enduring pickup designs in electric guitar history.

Vintage P.A.F. pickups are revered for the tones captured on countless classic recordings, with variation among individual pickups yielding a wide spectrum of voicings. Early in his career, Seymour developed a deep understanding of these variations by rewinding, repairing, and studying countless vintage pickups.

With the '59 Model, Seymour’s goal was to define his ideal interpretation of a P.A.F., one with an Alnico 5 magnet that captures the open, airy character and three-dimensional harmonics of the best originals, while offering balance between neck and bridge. The bridge pickup delivers enhanced pick attack with smooth sustain perfect for rock and blues. The neck pickup offers warm, crystalline clarity with scooped mids that preserve every note's definition. Together, this versatile combination has long been a favorite of players like Trey Anastasio, Ben Harper, Paul Stanley and more.

The core tone recipe of the '59 Model was established when production began in the 1970s and has never changed. Over time, small refinements were introduced to enhance consistency and player flexibility, such as bobbins more compatible with vacuum wax potting and four-conductor wiring for coil-splitting. To celebrate our history, this exclusive Custom Shop 50th Anniversary edition returns to early specs including butyrate bobbins, long-leg baseplates, single-conductor wiring, maple spacers, and rough-cast Alnico V magnets, while retaining the classic '59 Model tone.

Each set is meticulously hand-built by our elite Custom Shop team, led by the legendary Maricela "MJ" Juarez. Every bottom plate bears the signatures of Seymour W. Duncan himself and MJ, accompanied by original replica "Seymourized" and model name stickers. The lightly aged vintage styling and exclusive commemorative packaging complete this limited edition capturing 50 years of excellence. With only 500 sets offered worldwide in black or zebra, this is your chance to celebrate 50 years of innovation, craftsmanship, and the enduring vision of Seymour Duncan.

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Read more about this historic release here.
 
The Zebra set looks stunningly close to those that I've got... The baseplate in the first pic is really close too (except the paper sticker printed in red on mine, if memory serves me)... The only advantage about which I can boast is that I've got a double cream early 59'. ;-)

Well done, SD! I don't know if life will put me in situation to get one of these Custom sets but at least I can testify they seem extremely authentic. :-)
 
I'd love a set, but I'm "thinning my herd" right now. If I had a set, they'd just sit in their box as a "collector" item. For installation in a guitar, I like my pups to look new. :p

And yes, the zebra's look badass.
 
I own a few sets from the 80's and one particular MJ wound set is just stunning in tone! I'm very tempted by these! $375 is a bargain compared to Gibson's $1000 sets and other "boutique" pickups.
 
I'd love a set, but I'm "thinning my herd" right now. If I had a set, they'd just sit in their box as a "collector" item. For installation in a guitar, I like my pups to look new. :p

And yes, the zebra's look badass.
Same issue, I already have a few PUs sitting in my drawer, and more than a few guitars collecting dust on their stands... hate getting old...
 
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While I love my two 59 neck pups.
Ya really think these sound any differant or is it just the anniversary and signature collectabilitie thing.
$375 a set vs $200set....i dunno
 
1-How do they older ones differ soundwise?
2-Was there a production change through the years?
1-Mines sound more "creamy". They host A5 (as confirmed by magnetic / LRC measurements with lab meters) but with something of A2, mostly due IMHO to the kind of rough cast magnets used.
Please keep in mind that I'm not describing old ones as "better" or "more authentic". Nor am I talking about drastic changes in specs. I'm just testifying about nuances that I've noticed as a player and with lab gear. Same kind of nuances than between generic production and Custom shop level.

2-I can't speak for Duncan but some differences are obvious in recent iterations: no more butyrate bobbins or screw poles threaded in the baseplate, wax potting, 4 cond. cables or Trembucker options... All of these changes being perfectly understandable as ways to ease the production, to make pickups more versatile and to avoid some problems of hi pitched squealing to players.
Also, the use of more powerful and consistent A5 bars appears to me as explaining largely the current sonic profile of "generic" SH1's.

IOW, to me / IME, the basic recipe has not changed but some variations can be noticed from decade to decade, according to the production process and exact materials used.

And I've noticed WAY more drastic differences in DiMarzio models (the 36th DP103 having for instance very little in common with DP103's from 45 years ago, while I had to mount a brass baseplate under a recent X2N instead of the fiber baseplate, to recreate something of the original blury raunchy tone of this hi gain model).

FWIW.
 
While I love my two 59 neck pups.
Ya really think these sound any differant or is it just the anniversary and signature collectabilitie thing.
$375 a set vs $200set....i dunno
Being essentially Custom Shop-quality reproductions of something you can't get anymore, AND a tribute to one of the most popular pickups ever, yeah- I think they would be worth an extra $175 for fans of vintage pickups.
 
Why would butyrate bobbins make any difference in tone? I could see how changing the composition or arrangement of magnetic/metal bits changing the sound a bit, but the bobbins and spacers can't have much if any difference in sound can they?
 
Why would butyrate bobbins make any difference in tone? I could see how changing the composition or arrangement of magnetic/metal bits changing the sound a bit, but the bobbins and spacers can't have much if any difference in sound can they?
Two reasons.

1, They're more sensitive to heat, so they can't be potted as much time as the modern plastics. So the potting is lighter.
2. It's softer, so I think the material compresses more with the wire's tension, thus affecting the winding pattern a tiny bit. I don't know if it's A LOT, but I've read it makes a little difference.

So yeah, probably not night and day difference, but partly it's because that's what they used when they first made them, so why not be as true to the original as possible.
 
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Why would butyrate bobbins make any difference in tone?

Nobody has said nowhere above that tonal differences were coming from butyrate. I've treated separately in my post 14 what I perceived as two different questions. :-)

That said, my experience agrees with what Rex Rocker says in his point 2: I've already dealt with vintage butyrate bobbins whose wire was poping out form under the paper tape on the upper side because pressure had warped 'em... it's a good reason to avoid too much tension when winding on butyrate bobbins... and loose coils don't sound like tightly wound ones. ;-)
 
These look so cool. I do not need more pickups... my problem is that I find a set of pickups that I love, eventually swap them to try another set, end up loving both sets, and get tempted to buy or assemble a new guitar to put the the extra set in. Buying a $375 set of pickups from the custom shop is a gateway to a new guitar.
 
This set was designed to sound like the great 59 set everyone loves, but in a special edition with that pays tribute to its origins.
 
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