So I have a few delays and swirly pedals

Aceman

I am your doctor of love!
Doing a little cleaning / reorganizing on a rainy day.

Here are all of my delays and swirly type pedals.
* Does not include maybe a dozen tremolos
** Does not include a Mooer delay, Chorus , and multi-modulation pedal


Comment, discuss, question, ridicule, whatever...

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Wow, that's way more than I have. My delays come from a Line 6 DL4, which you clearly need, and 2 Fractal units. My favorites here are the Boost DLA and the Phase 90.
 
which is your favorite delay? i like having one analog and one digital. from your stash, id grab the dd3 and ad9 but curious what you prefer
 
Wow, that's way more than I have. My delays come from a Line 6 DL4, which you clearly need, and 2 Fractal units. My favorites here are the Boost DLA and the Phase 90.

In the band I use a Zoom G3n. I used to use the RV3, DD3, AD9 and Garage Tone set for Verb + long solo delay, Solo/Rhythm Delay, Short metalic delay and "on the fly" delay needs.
 
which is your favorite delay? i like having one analog and one digital. from your stash, id grab the dd3 and ad9 but curious what you prefer

At the end of the day, and every minute in between I love the DD3. Its all I generally want or need.
The Boost DLA is my second favorite. It has a few more features.
The Two Timer is a niche pedal, but I really dig it lately. Been punching up all kind of slaps, metallic reverbs, etc with it.

But - I agree; The two you picked would get me through all of music.
 
Delay is one of those 'must have' effects for me. I am constantly manipulating the delay time and feedback with an expression pedal. In a band with 1 guitar and no keys, it really fills up a lot of space.
 
Just the RV3, the Digitech CF, and the Marshall Regenerator is a lot of sounds....

The H20 is usually in the loop of my Tubemeister 18. TM18+H2O = Oh Yeah!

The Bosst DLY has been living on top of my Marshall VS100.

The Zoom g3n handles all the 80’s stuff because 80’s hair = different delay every song/solo
 
DD3 and RV3 are legendarily awesome pedals -hang on to those -despite 30 something years passing they didn't really get much better than those
 
The Chorus Factory may just be the best, most unknown chorus pedal out there. Sounds great, and it is dead quiet.
 
The Chorus Factory may just be the best, most unknown chorus pedal out there. Sounds great, and it is dead quiet.

I agree. I f there is a chorus sound you can't make with that, I have no idea what it is.

You get models of these sounds that are good to start with;

MODEL 1: DigiTech Multi-Chorus
MODEL 2: Voodoo LabAnalog Chorus (<- Handles the BOSS CE-2 sound)
MODEL 3: TC Electronic Stereo Chorus Flanger
MODEL 4: Fulltone Choralflange™
MODEL 5: Boss Super Chorus
MODEL 6: Electro-Harmonix Small Clone
MODEL 7: Boss 5 Chorus Ensemble

And then...Always wish you had a little more control of the EHX Small Clone?


This setting recreates the chorus effect of Electro Harmonix Small Clone
Its lush grunge tone still remains a favorite of pros for its multi dimensional
personality.
LEVEL – Controls the effect output level. Turn clockwise for more effect,
or counter-clockwise for less effect.
CNTRL 1 (EQ) – Adjusts the high frequencies of the effect. Turn clock-
wise for brighter tone, or counter-clockwise for softer, more diffuse tone.
SPEED (Rate) – Controls the rate that the chorus modulates. Turn
clockwise to increase the rate. Turn counter-clockwise to decrease the
rate.
CNTRL 2 (Pre Delay) – Determines the amount of offset between the
two signals that create the modulation effect. Turn clockwise for a looser
chorus effect, or counter-clockwise for a tighter, more flanger-like effect.
DEPTH – Controls the intensity of the chorus effect. Turn the knob
counter-clockwise for a subtle effect. Turn the knob clockwise for a
richer, deeper, processed sound.
CNTRL 3 (Stereo Width) – Controls the perceived width of the
stereo effect. Turn clockwise for a wider sound, or counter-clockwise for
a narrower sound. This control only affects the sound when both outputs
are used.
 
I don't have that many pedals in total of everything. Those Ibanez Tone Lok pedals are actually really good. I had a DE-7 that kicked butt. Sold it when I sold everything but my amp and cables.
 
I still have a TS-7 Tube Screamer, which might be my favorite TS pedal. Now, the SD 805 does the TS thing better, but the TS-7 is my favorite of the Ibanez ones I've tried.
 
I have a TS-7, proud to say that I got it for $20 at a yard sale. It's a great pedal. The "hot" setting will do metal into an edge of break up amp.
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Sent from my SM-A115A using Tapatalk
 
TS7 is a great Screamer with a hot switch
CF7 is a great chorus / flanger plus the wacked settings
DE7 is an underrated classic delay
 
What are your thoughts on the vfe after having it for awhile now? How does it's general tone compare with the 90?
What I mean is,,,,; Is it more on the thick and swooshy side, or is it more bright and metallic at higher settings?
 
The VFE is a whole different beast. The thing has 2, 3, 4 stages, Phase/vibrato, both, and you can mod the center and speed and out of phase degree. It is for phase sculpting. A Block Phase 90, is, well, a block. It's like a radio stuck on one station playing 4 or 5 Bon Jovi songs. VFE is like Pink Floyd jamming on stuff in your living room live. They might play anything.

I really dig the three stage setting. Its really super-overkill insanity for me.
 
ANd how is the grey Ibanez Chorus/Flanger ? Any connection with their yellow FL301 or FL301 DX ? (for the flanger part I mean)
 
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