Re: So is 18 pedals excessive for a new board ?
Point taken, but while in some ways your right with your point, in other ways your wrong.
Is the Octron an effect thats used every song ? No way, but for those few times you want that screaming octave up effect, or a cool synthy octave down effect theres nothing else that does that.
Two fuzz ? (I've actually been reducing it from 5 lol) The Axis is the classic Jimi BOG fuzz, bright and spitting and totally cuts. The Muff is sort of the opposite with the darker "muffy" tone, and loads more gain. Its that singing Gilmour tone and/or can be pushed into the wall of fuzz territory.
Same goes for two phasers, the SS is that lush organic 4 stage classic sweep ala "Breathe" whle the ph-2 is a very modern and in your face sound, very edgy and pronouced. Totally different pedals really.
As for two delays, I guess that could be a bit of a luxury but while I'm totally in love with the classic tape echo sounds of the RE-20 for slapback and multitap, I just can't come to part with the DMM because for clean mod delays is just sounds so good......
One additional thing I've found is that for me at least, more pedals actually makes life easier as I can get exactly what I'm after.
As an example, lets use the Univibe sound. I love Hendrix and as such just had to have a vibe on my board though no its not a used all the time effect.
If I worked at it enough, using the Small Stone, a tremolo pedal and a touch of chorus I could actually get a fairly close vibey style throbbing tone.
But thats alot of extra work to tweak and dial in you can imagine. It means that many more pedals I've got to adjust and remember the settings on.
Having the actual vibe means I can set it where I want it and its done. Classic vibe sounds, no compromise. My trem and phaser do what they do best respectively and life is simplier.
Additionally no matter how close you get it as well, the true vibe pedal always sounds better than any other combo of pedals. Its just an issue of how much do you love that effect and if its worth the money to you.
Fair enough.
But most folks realistically only end up using a small handful of effects on their boards and after about 5 or 6 pedals at best they end up getting turned on for one song or a small bit which they could have easily done without.
After 18 pedals your signal has to sound like crud, even if you're only running a few of them at a time.
Sure, I've owned 18 pedals. I'm probably near that now. But I only really use maybe 4 of them regularly, and of those 4 I consider 2 to be a necessity.
At what point does the time you spend stomping around and tweaking become more than its worth? At what point does it interfere with the music and the songs being played? At what point are you more aggravation and unnecessary delay to your other band members than you're really worth?
Most of the pedals listed are "trick" pedals that should likely only be used for a short passage or a single song at maximum. Two fuzzes and three phase/flanges? Seriously? Two different delays?
At what point does it start to become more work than its worth?
Point taken, but while in some ways your right with your point, in other ways your wrong.
Is the Octron an effect thats used every song ? No way, but for those few times you want that screaming octave up effect, or a cool synthy octave down effect theres nothing else that does that.
Two fuzz ? (I've actually been reducing it from 5 lol) The Axis is the classic Jimi BOG fuzz, bright and spitting and totally cuts. The Muff is sort of the opposite with the darker "muffy" tone, and loads more gain. Its that singing Gilmour tone and/or can be pushed into the wall of fuzz territory.
Same goes for two phasers, the SS is that lush organic 4 stage classic sweep ala "Breathe" whle the ph-2 is a very modern and in your face sound, very edgy and pronouced. Totally different pedals really.
As for two delays, I guess that could be a bit of a luxury but while I'm totally in love with the classic tape echo sounds of the RE-20 for slapback and multitap, I just can't come to part with the DMM because for clean mod delays is just sounds so good......
One additional thing I've found is that for me at least, more pedals actually makes life easier as I can get exactly what I'm after.
As an example, lets use the Univibe sound. I love Hendrix and as such just had to have a vibe on my board though no its not a used all the time effect.
If I worked at it enough, using the Small Stone, a tremolo pedal and a touch of chorus I could actually get a fairly close vibey style throbbing tone.
But thats alot of extra work to tweak and dial in you can imagine. It means that many more pedals I've got to adjust and remember the settings on.
Having the actual vibe means I can set it where I want it and its done. Classic vibe sounds, no compromise. My trem and phaser do what they do best respectively and life is simplier.
Additionally no matter how close you get it as well, the true vibe pedal always sounds better than any other combo of pedals. Its just an issue of how much do you love that effect and if its worth the money to you.