So you want Slash tone?

Aceman

I am your doctor of love!
Just sayin' - look what's under the hood (and enjoy watching the Master work!)

 
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Re: So you want Slash tone?

I never understood the obsessive quest for Slash’s tone. It’s a great tone, one of the best - but IMO almost any paf’d up LP into a marshall can get 95% there if the player can play like Slash. Even better if it’s the Slash set. It’s not like his pups were wound with unicorn pubes. If they can’t play like him, they could use his own original equipment and sound completely different.
 
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Re: So you want Slash tone?

Like most tones, it's easy to get in the ballpark in a bunch of different ways.
 
Re: So you want Slash tone?

There is the discussion that the guitar in question is extra bright or whatever, so most Gibsons need a little more of whatever its is to get there. Still, I say bah. Get an A2P and set the dials.

Did you see the detail Seymour went to though? Does your tech do that?

And how he named that neck ring!!!!
 
Re: So you want Slash tone?

I love the Alnico II Pro, but I can't say I ever went after his tone. It just so happens his pickup choices are really versatile.
 
Re: So you want Slash tone?

regardless of slashs tone, thats a sweet lookin guitar!!
 
Re: So you want Slash tone?

What's the big deal with Slash tone, anyway?

Sounds pretty generic 80s hairloss to me
 
Re: So you want Slash tone?

He has one of the best Les Paul into Marshall tones of the past 30 years. That’s what the fuss is about. He almost single handedly saved the Les Paul from extinction. You may or may not like his tone, but his playing has inspired a generation of guitar players. And to top it all off, he’s basically used the same setup the entire time. Les Paul with Duncans into a Marshall.


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Re: So you want Slash tone?

For an inspired generation, there sure is a curious vacuum of noteworthy duncan lester marshall-wielding copycats...

I daresay the generations seemed more like EVH and Metallica disciples
 
Re: So you want Slash tone?

For an inspired generation, there sure is a curious vacuum of noteworthy duncan lester marshall-wielding copycats...

I daresay the generations seemed more like EVH and Metallica disciples

Without Slash and GnR there wouldn’t be bands like Buckcherry, Last Vagas, Ax7, etc... they don’t all pack LPs, but the GnR influence is undeniable. Slash had a huge part in the resurgence of the Les Paul.

Yes, there are far more bedroom wankers trying to decode EVH. He revolutionized the way the electric guitar is played. However, there is more to both players than just copying their gear.


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Re: So you want Slash tone?

slash was one of the few new guys slingin a lp and he did it with 80's rock and roll swagger. tons of people in the era from appetite to use your illusion own a lp because of him
 
Re: So you want Slash tone?

I saw Slash with Myles K and the Conspirators a few years ago.
I can say with 100% certainty that Slash’s tone is monstrous. His recorded tone has not been captured as well as it could have ( with the exception of the Appetite album).
The only live tone I’ve heard that was bigger than Slash’s was Zakk Wilde’s.
 
Re: So you want Slash tone?

Check out his Snake Pit album Ain’t Life Grand. The tone on that is pretty big.


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Re: So you want Slash tone?

i totally agree , slash was the reason for me picking up a les paul and his tone was and is awesome.
 
Re: So you want Slash tone?

slash was one of the few new guys slingin a lp and he did it with 80's rock and roll swagger. tons of people in the era from appetite to use your illusion own a lp because of him
I didn't know much about Slash in 87 when I saw GnR open for the crue. I'll never forget that show- crazy hair,top hat,Lp slingin Slash!
They blew the crue out of the water
 
Re: So you want Slash tone?

See, I think his original tone was pretty cool, and still unique. However, on Appetite and forward, I think it got syrupy stupid. After GnR, he got a little more back to normal.

My understanding is that the Original LP copy was a little brighter, so an A2P was perfect. The standard LP's are a little darker, thus the Slash HB's.
 
Re: So you want Slash tone?

My understanding is that the Original LP copy was a little brighter, so an A2P was perfect. The standard LP's are a little darker, thus the Slash HB's.

That's a great explanation. I've always heard that Slash used AII Pros. So I wondered why we needed "Slash" AII Pro's. That explains it. The Slash version definitely has a bit more bite. A bit more character than the smooth AII Pro's.
 
Re: So you want Slash tone?

The Slash set is one of my favorites in the Duncan line. They are in the PAFish output range, but a bit more rude. If the Ants weren’t totally doing it for me right now, the Slash set would definitely be in one of my Les Pauls. I keep a set just in case.


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Re: So you want Slash tone?

I just swapped out my Slash AIIP's for a PG set. And, thanks to forum bro masta' c, got to try an El Diablo. So, if we assume that the ">" symbol means "a bit more bite", then:

AII Pro > Slash AII Pro > PG's > El Diablo.

To my ears, it's a subtle transition from beginning to end. But at the same time, I think my opinion might change if I could really "dime" my Bogner.

I really, really need to build an iso-cab.
 
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