Sound difference between blocked trem and stop tuno

Cron

New member
I was wondering...

If you took two identical guitars, one with a blocked trem and one with a tunomatic + stoptail, what would be the difference in sustain, sound transfer, and all the other stuff we percieve as sounding good?
 
Re: Sound difference between blocked trem and stop tuno

I personally like the sound of a blocked trem with all the springs attatched. Fixed tails sound very "dry" to my ears. The tremelo springs will give a slight reverb type of characteristic to the tone and will make it less dry.
 
Re: Sound difference between blocked trem and stop tuno

Do you think a stop + tuno would sound fuller than a blocked trem (because of the wood taken out for the trem?
 
Re: Sound difference between blocked trem and stop tuno

In almost all cases I would say yes. A stop tail would sound fuller imho.
 
Re: Sound difference between blocked trem and stop tuno

aestus said:
A stop tail would sound fuller imho.

I agree. Less steely and perhaps fuller and warmer than the blocked trem.

Really, I'm talking about the difference between a Strat and a Les Paul too though! :smack: I never had a Strat with a tunomatic and stop tailpiece!

Lew
 
Re: Sound difference between blocked trem and stop tuno

Thats understandable but given the difference of woods and a gazilion other differences one cant really judge by comparing fender vs. gibson.

Has anyone ever heard similar (weight + wood) PRS's, Carvins, Hamers (whatever)?

What would the difference betweenany two of those be? (i'm talking almost identical guitars, one with a trem, the other with a stop+tuno (or just a stoptail)
 
Re: Sound difference between blocked trem and stop tuno

I have no such experience. I just have a guitar that is made of Fender materials (bolt-on alder body, 25 1/2 maple neck with rosewood fingerboard) and Gibson shape and hardware (TOM+STP bridge, humbuckers, 10 deg. angled back neck). It should sound like a hardtail fat Strat but instead it is closer to the Gibson side than the Fender side. Imagine something heavier than a typical SG but less heavy than a typical LP, with some serious TWANG added.
 
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