tomswaelen
New member
First the gear:
Peavey Classic 30:
- valves: A matched quad of the JJ EL84's in a hotter grade along a standard ECC83S in V1, an ECC832 in V2 to drop the gain and give a very natural blues tone and a graded ECC83S with a high current output in V3. (according to Eurotubes.com)
- Volume: 2
- Reverb: 6 when heard
- Bass: 3
- Middle: 5
- Treble: 8
- Pre-amp gain: full when distorted, 6 when semidistorted
- Post-amp gain: 2
The guitar was a Squier 51 with a Seymour Duncan Twangbanger in the neck and a JB in the bridge.
I recorded this with a cheap Collins microphone, using the dry vocal setting of my Guitarport to record the input, so none of the GPs modelling technology would colour the sound. It seemed like the best course of action for me.
Don't mind the crappy playing, it's mostly pentatonic fiddling and power chords. The Squier doesn't hold its tune very well, some pieces may be out of tune.
Here goes:
Twangbanger, clean 1
Twangbanger, clean 2
Twangbanger, distortion at maximum
Twangbanger, distortion at 6
JB, clean
JB, distorted 1
JB, distortion 2
JB in split mode, clean 1
JB in split mode, clean 2
JB in split mode, distorted
Peavey Classic 30:
- valves: A matched quad of the JJ EL84's in a hotter grade along a standard ECC83S in V1, an ECC832 in V2 to drop the gain and give a very natural blues tone and a graded ECC83S with a high current output in V3. (according to Eurotubes.com)
- Volume: 2
- Reverb: 6 when heard
- Bass: 3
- Middle: 5
- Treble: 8
- Pre-amp gain: full when distorted, 6 when semidistorted
- Post-amp gain: 2
The guitar was a Squier 51 with a Seymour Duncan Twangbanger in the neck and a JB in the bridge.
I recorded this with a cheap Collins microphone, using the dry vocal setting of my Guitarport to record the input, so none of the GPs modelling technology would colour the sound. It seemed like the best course of action for me.
Don't mind the crappy playing, it's mostly pentatonic fiddling and power chords. The Squier doesn't hold its tune very well, some pieces may be out of tune.
Here goes:
Twangbanger, clean 1
Twangbanger, clean 2
Twangbanger, distortion at maximum
Twangbanger, distortion at 6
JB, clean
JB, distorted 1
JB, distortion 2
JB in split mode, clean 1
JB in split mode, clean 2
JB in split mode, distorted