SSL-5 Custom Staggered Strat in the Neck/Middle Positions?

ErikH

Well-known member
I'm contemplating switching up the pickup configuration on my latest Warmoth build and going from HH to HSS. I love the Custom Custom in the bridge so that is not going anywhere. When I did the Pickup Finder, one of the sets it recommended is Custom Custom with a SSL-5 in the neck and middle. It peaked my interest as I've only ever seen folks use the SSL-5 in the bridge and for the sheer fact that it has higher output that would match the Custom Custom better. So, does/has anyone use/used the SSL-5 in the neck/middle positions? What is/was your experience?

And this Strat is the typical alder body, maple neck/fingerboard (but roasted), vintage style 6-screw trem, Kluson style tuners. I was thinking of going all SSL-1's or SSL-5 with SSL-1's (the Gilmour setup), but I love the CC too much to stop using it in this guitar.
 
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I don't know if I'd put an SSL-5 or 6 in the neck position. It's a very thick, middy pickup with rolled off highs. That's why it works so well in a strat bridge . . . but those qualities would suck at the neck unless you're mostly planning to use it with higher gain settings. I'd think that the APS will get much better cleans.

FWIW, I really like the Gilmour setup. The neck, neck/mid, and mid positions all work great clean, everything is good overdriven, and the SSL-5 in the bridge handles higher gain duties well (although it'll hum). There's not a huge volume bump going from bridge to neck either.
 
Yeah, that was my initial thought too about the 5/6. I had used a SSL-6 in the past and I remember it being pretty hot. I'm thinking I'd like the APS better. Would probably wire it with a 500K volume, 250K master tone. I use those values with the CC now and it sounds perfectly fine.
 
I've played them paired with a JB in the bridge. It's a darker, more mid focused strat tone, but it works well enough if your amp has enough headroom to stay clean or if you're more interested in using it as a dirty lead sound.

One option would be to stick a SSL-1/2 in the middle or APS for cleaner, quackier notch sounds while keeping thicker tones in the neck and bridge for lead tones.
 
i like the ssl6 with 500k pots in the neck matched with a bucker in the bridge, its thick and not a vintage strat tone but i think it sounds great. an aps2 with 500k volume and 250k tone is gonna be bright and wimpy compared to the cc in the bridge
 
I’ve even tossed around using the Classic Stack Plus, Vintage Hot Stack Plus, or the Custom Stacks. I loved the Classic Stack Plus when I had them in another Strat, which was sold some years ago.
 
i like the cs+ pups for sure, i prefer the vintage hot stack plus in the bridge over the cs+ bridge though. the custom stack is similar to the ssl5/6 but the singles do have a bit more open top end
 
Another option would be the SSL-52. They are really balanced and work well if you intend on splitting the CC.
 
i like the ssl6 with 500k pots in the neck matched with a bucker in the bridge, its thick and not a vintage strat tone but i think it sounds great. an aps2 with 500k volume and 250k tone is gonna be bright and wimpy compared to the cc in the bridge

Wimpy can be a virtue, though.
 
The Classic Stack Plus is wonderful in the neck and middle, especially if you have a hotter humbucker in the bridge. The balance is better, and those pickups just sound a lot more open than the SSL-5 or -6.
 
im a big cs+ fan, good strat tone with no noise. i prefer the output to be fairly balanced across the pups on a guitar so id want something with a little more juice for the cc. now a pearly gates, i might go with the cs+. some people like a big contrast when they flip to the bridge, in that case the cs+ could work well with the cc. i still prefer them with 250k pots though
 
Check the stagger. I think the stagger is for 7.25" radius necks, flat poles for everything above that. This lines up with my long-ago experience of first swapping pups and wondering why the G string was so stinking loud on my Strat.

The SSL6 is sweet though. I test drove a Charvel for a couple of weeks that had a Full Shred bridge and SSL6s in the neck and middle. I lowered the single coils significantly and the sound was SO sweet, it was quite incredible. Those sounds still haunt me, actually.
 
the last hss strat i used for any significant amount of time had a ssl6 neck, lil59 middle, and custom a2 bucker bridge. 500k pots all around, series/parallel switch for the lil 59. great hotter than vintage tones but still stratty on the neck, just more muscle
 
the last hss strat i used for any significant amount of time had a ssl6 neck, lil59 middle, and custom a2 bucker bridge. 500k pots all around, series/parallel switch for the lil 59. great hotter than vintage tones but still stratty on the neck, just more muscle

And that's what I'm looking for. Stratty, just more. If I want to go noiseless, there's the Custom Stack.

Last night I was looking at everything and ruled out the APS. I remembered last time I had one in the neck and it was sweet but almost too sweet. So, narrowed it down to one of the Stack Plus options. And while I really like the Classic Stack Plus, I think the Custom Stack plus might be the ticket. I could go Custom in the neck and Classic in the middle even. Or the Vintage Hot in the neck, which I've seen a few videos of. It sounds really nice.
 
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i love the vintage hot in the bridge with the cs+ neck and middle but havent tried it in the neck, i tried the cs+ bridge in the neck and that was pretty nice too paired with a hot stack+ bridge
 
That's another option I hadn't thought of. The CS+ bridge in the neck would work nicely with the CC in the bridge.
 
And, of course, my brain goes back and forth between having a HxS or HSS config. :) But I'm leaning more towards HSS.
 
I like HSS, with the middle position being one coil from the humbucker and the neck single.
 
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