He seems to do really well with an SSL-5, so go for it!
Interesting that the Gilmour pre-wired pickguard uses all SSL-5's, when it seems he used a combo of pickups in his actual guitar.
Al
Don't want to hijack the thread but fast question:since the ssl5 and ssl6 are practically the same pickup minus the stagger, how would they differ sound wise if installed in the same guitar?
Sent from my iPhone using Tapatalk
Do we actually make something reported to be a Gilmour pre-wired pickguard?
Mincer-
To your radius idea. Don't swear at me yet, hear me out. EVERY single coil I get that I like the sound of that has a huge stagger, like the Fender 57/62's, or the Jimi '69's, I do turn around 180 (I have room) and Bam! Instant flat radius on the highs E,B,G,D, and the poles under my very thick low E, A are also instantly low, were I want them.
No monkey business. My favorite like the TBanger is good as is.
No charge. All of my Fenders are swimming pooled chambered, so my Strats have lots of room to turn. I have one Strat that is not that way, so as it is never to be sold and a basswood Strat at that, I did remove a little wood for the wire side so I could get my flat radius on one of my HSS Sets. I must have a thousand, but who's counting?
Steve Buffington
After re-checking, I guess I was thinking of the Custom-Stagger SSL-5 set, where they mention that the bridge version is used by Gilmour. I had recently gone over the website for the first time in a long time, after hearing of pickups on the forum that I wasn't even aware of, and thought for sure that I had seen a Gilmour loaded PG, but for the first time in my life I seem to be mistaken! (insert appropriate Smiley here....).
The worst part is when I read your post, I thought "he is so closely associated with Duncan and he doesn't know everything they sell?", and checked again to find the P-LPG I was so sure of seeing, with no success. So consider my thought-words eaten!. Sorry about that.
Having said that, I have had my first Duncan set, which I bought many years ago, in 3 different Strats at this point, the latest being a Mexi-Strat. It's the SSL-5 in the bridge with SSL-1's in the other two positions, because I wanted a little more punch in the bridge at the time (I suppose those pu's are so old now you could refer to them as "vintage" in their own right). I like the SSL-5 for that reason, but whenever I play someone's Strat with the standard vintage type bridge pu, I kind of miss that sound, so I guess I'll have to get another Strat and set it up for those typical vintage Strat-type bridge sounds.
So anyway, I must apologize for my mistaken post about there being a Gilmour Pre-loaded PG, maybe it was wishful thinking on my part!.
Humbly,
Al
Mincer-
To your radius idea. Don't swear at me yet, hear me out. EVERY single coil I get that I like the sound of that has a huge stagger, like the Fender 57/62's, or the Jimi '69's, I do turn around 180 (I have room) and Bam! Instant flat radius on the highs E,B,G,D, and the poles under my very thick low E, A are also instantly low, were I want them.
No monkey business. My favorite like the TBanger is good as is.
No charge. All of my Fenders are swimming pooled chambered, so my Strats have lots of room to turn. I have one Strat that is not that way, so as it is never to be sold and a basswood Strat at that, I did remove a little wood for the wire side so I could get my flat radius on one of my HSS Sets. I must have a thousand, but who's counting?
Steve Buffington
Having said that, I have had my first Duncan set, which I bought many years ago, in 3 different Strats at this point, the latest being a Mexi-Strat. It's the SSL-5 in the bridge with SSL-1's in the other two positions, because I wanted a little more punch in the bridge at the time (I suppose those pu's are so old now you could refer to them as "vintage" in their own right). I like the SSL-5 for that reason, but whenever I play someone's Strat with the standard vintage type bridge pu, I kind of miss that sound, so I guess I'll have to get another Strat and set it up for those typical vintage Strat-type bridge sounds.
im basically the opposite. i want flat poles on everything if i can and if there is too much of a stagger, i hear things as unbalanced. even flipping the pup, that just changes which strings are popping out.
getting a tapped bridge pup gives you a bit of both flavors. i had a tapped hot strat in the bridge for just the reason you mention, its nice to have the fatness but i also like the bright vintage cut. i wired it to a push pull and found the tap wasnt quite what i wanted so i wired the other side of the push pull to add the tone control when i use the tapped output. it was a great setup!