Successful method for true active/passive switching (series <--> differential op-amp) in the same guitar

luckydead

New member
Hi everyone.

I've been working on a project that I think is finally ready to share. Out of curiosity, a while back I bought a BMP-1 Blackouts Modular Preamp and installed it in a guitar with a Nazgul and Sentient set. The Nazgul output was super hot, as expected, but it wasn't too muddy and I liked the tone. I did however, miss the original Nazgul tone and thought it would be a fun project to see if I could somehow set up active/passive switching with the existing control routing on the guitar (two pots, blade switch).

For proper operation, the BMP-1 requires a pickup's coils to be wired in parallel and out of phase. To do this in the context of a traditional series wiring with a Duncan pickup (green->ground, red->white, black->hot) means at the very least, the black, red, and white leads have to be changed (black->ground, red+white->hot). So to switch two humbuckers between series and active, you have to at a minimum be able to switch 6 leads in total.

I first tried this a couple different ways with 4P3T rotary switches and 4PDT mini toggles, but I wasn't really satisfied with what I was able to make. I had resigned myself to giving up on this, but then one day I came across a 6P5T blade switch (https://axlabshardware.com/products/axlabs-5-way-blade-2-pole-switch-copy) and I saw some possibilities. By combining this with two push-pull pots, I was able to get active/passive switching with a volume control for each mode, as well as optional coil-splitting in passive mode. Rather than going through everything in detail, here's the final diagram:
latest.webp
The positions are as follows:
  1. bridge - active
  2. bridge - passive - series or split
  3. bridge and neck in parallel - passive - series or split (same for each humbucker)
  4. neck - passive - series or split
  5. neck - active
The active volume pot works as a master active/passive switch. In positions 1 and 5 it must be pulled. In positions 2-4 it must be pushed. The passive volume pot controls the coil-splitting when the pickups are in positions 2-4.

The final result is a bit of a rat's nest, but it fits. You may also notice that the preamp isn't the BMP-1. I ended up using a different preamp (https://analogworkshop.eu/products/doublediffamp/) that I believe is based on the Bajaman design (https://www.freestompboxes.org/viewtopic.php?t=31532), but this method will work with the BMP-1 or any other similar device.

PXL_20251124_005700628.PORTRAIT.webp

Anyways, if you got this far, thank you for reading. I hope this was useful for everyone and inspires more projects!
 
Last edited:
Shameless self bump:

I recorded some longer, higher quality audio and removed the original clips from the original post.


Timestamps:
0:00 = passive - stereo doubled - all riffs
1:00 = active - stereo doubled - all riffs
2:00 = passive - stereo doubled - riff 1
2:08 = active - stereo doubled - riff 1
2:16 = passive - stereo doubled - riff 2
2:28 = active - stereo doubled - riff 2
2:40 = passive - stereo doubled - riff 3
2:56 = active - stereo doubled - riff 3
3:12 = passive - stereo doubled - riff 4
3:36 = active - stereo doubled - riff 4
4:00 = passive - mono centered - riff 1
4:08 = active - mono centered - riff 1
4:16 = passive - mono centered - riff 2
4:28 = active - mono centered - riff 2
4:40 = passive - mono centered - riff 3
4:56 = active - mono centered - riff 3
5:12 = passive - mono centered - riff 4
5:36 = active - mono centered - riff 4

The recording chain is as follows:
  1. Bridge pickup (Nazgul) in Dean Exile Select 7 Multiscale Kahler
  2. Livewire PDI Direct Box
  3. Balanced input on Focusrite Scarlett 2i2 4th Gen
  4. Ableton Live Lite
  5. Line 6 Helix Native
    1. Amp block = Revv Gen Purple
    2. IR block = Ownhammer Meta 412 FMAN H75CB (Celestion G12H-75 Creamback w/ SM57)
The audio interface gain was set to maximize signal to noise ratio and any added input gain on the interface was compensated for in the DAW before the signal got to the amp sim. You can hear that the active version is quite a bit hotter. I set the amp model gain based on the passive version and it ends up being way too hot with the active version.
 
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