Re: Tech 21 Trademark 60
JeffB said:
Simon, where are ya bro?
Over here! :arms:
I love my TM60, though I haven't had the opportunity to use it on a gig yet. My previous band was full-on classic rock and the 50w Jubilee was great, but the band I'm rehearsing with now covers a wider range of material and doesn't play as loud. I wanted something more versatile that would sound good at all volumes. I'm not getting any younger, so the portability was a bonus too.
I set up the TM60 so that CH1 has a bluesy Fender-ish tone that breaks up when I hit it hard and CH2 has classic rock Marshall-esque distortion (Lizzy! :approve: ). If you've heard the Tech 21 soundclips you'll know that the TM60 can cover a pretty wide range of tones across the two channels. I love the clean boost facility - just what you need to get louder for solos when there's no sound engineer around! The foot-switchable effects loop is neat too - I leave my DD-3 in the back of the amp and have less cables trailing around the floor.
The controls are slightly non-conventional, but the manual is good and the sample settings (from BB King to Metallica via Clapton Bluesbreakers, Hendrix and VH1

) give you some excellent starting points. It didn't take me long to find my sound. Everything is active and a little tweak goes a long way.
In rehearsals it has kept up with our drummer, though of course a 1x12 combo has limited spread. It sounds excellent through the PA using the XLR SansAmp output, and that's how I intend to use it for gigging. Other options for making it sound bigger are available - i.e. connect a bigger speaker cab (gonna try it sometime with my closed-back Marshall 2x12), or buy a matching Power Engine to add 60w, another speaker and stereo capability. The stock speaker is a Celestion Seventy 80, which I understand is considered a budget model. I haven't had any issues with it, but I have read favourable reports from people who have changed it out for something else.
On the downside, the Low and High EQ are shared between the channels, though the Punch (CH1) and Growl (CH2) knobs allow independent control of the midrange. I've had no problems getting the tones I want. You can't work the boost AND the reverb independently from the footswitch - you have to assign one or the other or both ("unique Link button" my arse! :grumble: ). You could use a reverb unit in the loop to get around this if it was a problem.
Does it sound like a tube amp? Well, to my ears it does a damn good job. It won't fool all the tone hounds all the time and it isn't going to replace anyone's collection of boutique tube amps, but that's not what it was designed for. It is a solidly built pro-standard piece of gear with a bunch of great tones and practical features in a portable affordable package. Once I plug in to the TM60 and start rockin' I don't think about what's under the hood, so it must be doing something right! If it holds up for pub & club gigs it will have met all my requirements.
If you're looking for something that will sound great at home practice volume, but is also loud enough to use with a band, you should definitely check it out.
I've been experimenting lately with recording to my PC from the TM60's XLR output. It sounds great. If I ever get the time to finish anything (a big 'if' these days) I'll try to post a soundclip!