The Famn Damily

Re: The Famn Damily

Heavy two piece Maple Body with finish checking front and back, a beautiful and comfortable Maple Neck with spotless frets and SD '59/JBJ.







 
Re: The Famn Damily

Ha! Now that's an analogy to which I can relate! That's the only Kramer; got a couple Gibson Les Paul Studio Raw Powers and a Starfield Cabriolet but that's the whole crew.


 
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Re: The Famn Damily

GUITARS:

2016 Warmoth Telecaster: Vintage Natural Relic Flamed/Birdseye Telecaster Neck w/R3 Nut & Gotoh Tuners, 1 Piece Black Ash Tone Bomb Telecaster Body w/Front Forearm Contour & Rear Tummy Cut, Clear Gloss Nitro Finish over Lemon Oil, Vintage Seymour Duncan JNJ MJ Jazz Neck/Custom Shop MJ DeMartini RTM, 3 Way Tele Blade Switch/DiMarzio 500k Volume/Fender TBX Tone, 1986 Floyd Rose Original w/37mm Big Brass Block & Screw In Arm, DiMarzio Clip-Lock Black Strap

2013 USA Custom Guitars Iceman: USACG Quarter-Sawn Maple/Maple Fretboard Neck, 12” Radius, 22 Jumbo Frets, R2 1 5/8” Nut, Gotoh SG38 Tuners, “B.C. Rich, L.A., California USA” Neck Plate, Warmoth Mahogany Iceman Body in Pearl White, H/H Pickups - Seymour Duncan Jazz/JB-Custom Custom A2 Hybrid Trembucker, DiMarzio 500K Push:Pull Volume/3 Way LP Style Selector Switch/Fender TBX Tone x 2, Cup Jack, ’89 Ibanez Metal Pickup Mounting Rings and Vol/Tone/Tone Knobs, Recessed ’85 Original Floyd Rose w/Threaded Screw In Arm and 37mm Big Brass Block, DiMarzio Clip-Lock Black Strap, No HSC

2009 Gibson Les Paul Studio Raw Trans Aquamarine: 24 ¾” Scale Unbound Mahogany Neck w/Maple Fretboard, 1 11/16” Corian Nut, 22 Frets, Dot Makers (Traditional Trapezoid at 12th Fret), Vintage Schaller Germany Tuning Pegs, Unbound Solid Maple Traditional Carved Top Body, Gibson ’57 Classic/’57 Classic Set, Gibson Tune-O-Matic Bridge/Vintage Gibson TP6 Fine Tuning Tailpiece, Jodi Head “Buddy Guy” Autographed Blk/Wht Polka Dot Strap w/Strap Locks, Gibson Black Snakeskin HSC *** REPLACE FAULTY 3 WAY SELECTOR/SWAP IN STOCK GIBSON TUNE-O-MATIC

2009 Gibson Les Paul Studio Raw Satin White: 24 ¾” Scale Unbound Mahogany Neck w/Maple Fretboard, 1 11/16” Corian Nut, 22 Frets, Dot Makers (Traditional Trapezoid at 12th Fret), Vintage Schaller Germany Tuning Pegs, Unbound Solid Maple Traditional Carved Top Body, Gibson ’57 Classic/’57 Classic Set, Gibson Tune-O-Matic Bridge/Vintage Gibson TP6 Fine Tuning Tailpiece, Jodi Head “Buddy Guy” Autographed Blk/Wht Polka Dot Strap w/Strap Locks, Gibson Black Snakeskin HSC

2000 Ibanez RG-520QSTB: Made In Japan 1998-2001, thin Super Wizard Neck w/Rosewood Fretboard/24 Jumbo Frets/Dot Markers - 17mm on the first fret and 19mm on the 12th fret with a flat radius of 430mm/16”, RG Mahogany Body w/Quilted Sapele Top, DiMarzio Air Norton F Green/DiMarzio Tone Zone F Green, Vol/5 Way/Tone, Cosmo Hardware Tuners/R3 Nut/String Retainer/Original Edge Tremolo w/Big Brass Block Upgrade, DiMarzio Clip-Lock Black Strap

1987/1991 RG-570MFM: First Production Year/Made In Japan ’87 RG-550M Wizard Maple Neck w/Desert Sun Yellow Headstock, “Ibanez Made In Japan” Black Neck Plate, ‘91 RG570FM Blueburst Body w/DiMarzio Air Norton F Blue/Seymour Duncan Lil ‘59/DiMarzio Tone Zone F Blue, Vol/5 Way/Tone, Cosmo Hardware Tuners/R3 Nut/String Retainer/Original Edge Tremolo w/Big Brass Block Upgrade, Brayden Rwanda Strap

1983 Kramer Pacer Imperial - Beautiful Natural Relic 34 year old 1983 Vintage Kramer Pacer Imperial that still looks, sounds and feels awesome to play. USA Made and the First Year for Production Kramers to come equipped with Schaller Tuners and Floyd Rose from the Neptune, NJ Factory - no doubt due to Edward Van Halen's influence as a Kramer Endorsee at the time. Also the last year of production for the Beak Headstock as it changed mid-year to the Hockey Stick Headstock! I dare you to find another MAPLE FRETBOARD/MAPLE BODY IMPERIAL with a BEAUTIFULLY CHECKED 3 COLOR SUNBURST NITROCELLULOSE FINISH - it just doesn't get any better than this one!!!

Specifications:

- Beautiful Vintage Aged Amber Nitrocellulose Finished Beak Headstock "Pacer Series Patent Pending" Maple Board Neck with “C” Neck Plate
- Heavy & Resonant 2 Piece Center Joined Maple Body in a wonderfully checked 3 Color Black/Red/Brown Sunburst Nitrocellulose Finish
- Original 1983 Chrome Made In Germany Schaller Tuners/R2 Nut/String Retainer Bar
- Vintage Neck Humbucker and a DiMarzio Tone Zone F in the Bridge - mounted in Original Schaller Mounting Rings and wired to a 3 Way Selector/Volume/Volume/Tone/Cannon Jack
- Original 1983 Vintage Chrome Floyd Rose Original w/Old School Screw In Arm & Floyd Upgrades 42mm Big Brass Block

A piece of Guitar Design and Rock & Roll History as this guitar was the product of Kramer, Eddie Van Halen and Floyd Rose working together in developing the Floyd Rose and Kramer changing their market through working with EVH to produce off the shelf Hot Rod Guitars built to satisfy the demands of an explosion of guitar players. Say what you will; but EVH was undeniably the next Evolution of Guitar Playing after Jimi Hendrix.


A Bit of Kramer History:

Kramer first released wooden-necked guitars in late 1981, following Charvel's lead on producing instruments that essentially copied the Stratocaster headstock shape from Fender, in violation of Fender's US trademark and design patent. After only a thousand or so instruments were built, in May 1981, Kramer received a cease and desist order from Fender to halt the production of Strat-head guitars.[citation needed] Instead, Kramer opted for a "beak" headstock reminiscent of 1960s Kent guitar headstocks. The earliest beak guitars were in fact Strat-heads with a lobbed off headstock; these can be identified by prominent sanding marks on the curve of the headstock. Later, and most common beak guitars, were manufactured with a beak headstock from the factory.

Wooden-necked instruments represented Kramer's first foray into offshoring the production of guitar components to Eastern Asia. Tuning keys and vintage fulcrum tremolos were made by Gotoh in Japan, while the necks were made by Japan's ESP Guitars and shipped to New Jersey for fretting and finishing.

Kramer executives saw that the guitar techniques of the early 1980s demanded a high-performance tremolo system. Kramer partnered with a German inventor named Helmut Rockinger, and installed his bulky tremolos, precursors to Floyd Rose systems, on its instruments.

A chance encounter between Dennis Berardi and Eddie Van Halen's managers on an airplane flight set the foundation for Kramer's meteoric rise in the 1980s. Eddie was interested in a tremolo that stayed in tune, which the Rockinger system offered. A meeting between Eddie Van Halen and Kramer execs took place, and Eddie was sold. At the meeting, he reportedly quipped that he would help make Kramer the "#1 guitar company in the world."

By 1983 the Rockinger tremolo (sometimes dubbed "The Eddie Van Halen tremolo") had been widely replaced by the Floyd Rose system. In addition, Kramer once again offered Schaller tuners on their guitars, tapping Schaller to produce Floyd Rose tremolos as well. Kramer was the only guitar company offering Original Floyd Rose tremolos stock on their production guitars, a competitive advantage of Kramer over other guitar manufacturers of the period.

In late 1983 Kramer switched from the "beak" headstock design to the Gibson Explorer-like "banana" headstock design. This distinctive look also helped rank Kramer highly with guitar enthusiasts. One notable Kramer guitar was the Baretta model, which was a single-humbucker instrument similar to guitars Eddie Van Halen used on stage. The Kramer Baretta was the flagship of the Kramer line and helped popularize the single-pickup 1980s SuperStrat guitar design.


AMPS:

1992 Peavey 5150 2x12 Combo: 60W with Stock Sheffield 1200 Speakers & Vintage 80s Wire Grill Mesa/Boogie 2x12 Cabinet w/Celestion G12T-75 Ipswich, England Speakers

1994 Peavey Blues Classic 1x15 Combo: 50W w/Celestion Fullback and all new JJ “Blues” Tube Set & Bluesbreaker 2x12 White Tolex Cabinet w/1968 Jensen C12N Chicago, IL Speakers
 
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Re: The Famn Damily

The Famn Damily 09/20/17:

2009 Gibson Les Paul Studio Raw Trans Aquamarine: 24 ¾” Scale Unbound Mahogany Neck w/Maple Fretboard, 1 11/16” Corian Nut, 22 Frets, Dot Makers (Traditional Trapezoid at 12th Fret), Vintage Schaller Germany Tuning Pegs, Unbound Solid Maple Traditional Carved Top Body, Gibson ’57 Classic/’57 Classic Set, Gibson Tune-O-Matic Bridge/Vintage Gibson TP6 Fine Tuning Tailpiece, Black Leather Strap w/Strap Locks

2009 Gibson Les Paul Studio Raw Satin White: 24 ¾” Scale Unbound Mahogany Neck w/Maple Fretboard, 1 11/16” Corian Nut, 22 Frets, Dot Makers (Traditional Trapezoid at 12th Fret), Vintage Schaller Germany Tuning Pegs, Unbound Solid Maple Traditional Carved Top Body, Gibson ’57 Classic/’57 Classic Set, Gibson Tune-O-Matic Bridge/Vintage Gibson TP6 Fine Tuning Tailpiece, Jodi Head “Buddy Guy” Autographed Blk/Wht Polka Dot Strap w/Strap Locks

2013 USA Custom Guitars Iceman: USACG Quarter-Sawn Maple/Maple Fretboard Neck, 12” Radius, 22 Jumbo Frets, R2 1 5/8” Nut, Gotoh SG38 Tuners, “B.C. Rich, L.A., California USA” Neck Plate, Warmoth Mahogany Iceman Body in Pearl White, Seymour Duncan Jazz Bridge/Hybrid JB-Custom Custom A2 Trembucker, DiMarzio 500K Push:Pull Volume/3 Way LP Style Selector Switch/Fender TBX Tone x 2, Cup Jack, ’89 Ibanez Metal Pickup Mounting Rings and Vol/Tone/Tone Knobs, Recessed ’85 Original Floyd Rose w/Threaded Screw In Arm/37mm Big Brass Block, DiMarzio Clip-Lock Black Strap

2016 Warmoth Telecaster: Flamed Birdseye Warmoth Telecaster Neck w/R3 Nut, Clapton Back Shape, 12” Radius, 22 Jumbo Frets, Gotoh Tuners, 1 Piece Black Ash Tone Bomb Telecaster Body w/Front Forearm Contour & Rear Tummy Cut with Clear Gloss Nitro Finish over Lemon Oil, Vintage Seymour Duncan JNJ MJ Jazz/SWD Custom Shop MJ DeMartini RTM Trembucker, 3 Way Blade Switch/DiMarzio 500k Volume/Fender TBX Tone, Recessed ‘86 Floyd Rose Original w/37mm Big Brass Block & Screw In Arm, DiMarzio Clip-Lock Black Strap

1983 Kramer Pacer Imperial: Beak Headstock "Pacer Series Patent Pending" Maple Board Neck with “C” Neck Plate, Heavy & Resonant 2 Piece Center Joined Maple Body in a wonderfully checked 3 Color Black/Red/Brown Sunburst Nitrocellulose, Chrome German Schaller Tuners/R2 Nut/String Retainer, Vintage Neck HB/DiMarzio Tone Zone F wired to a 3 Way Selector/Volume/Volume/Tone/Cannon Jack, Chrome Floyd Rose Original w/ Screw In Arm & F.U. 42mm Big Brass Block

1991 Ibanez RG570FM: First Production Year/Made In Japan ’87 RG-550M Original Wizard Maple Neck w/OSNJ, Desert Sun Yellow Headstock, “Ibanez Made In Japan” Black Neck Plate, ‘91 RG570FM Blueburst Body w/DiMarzio Air Norton F/Seymour Duncan Lil ‘59/DiMarzio Tone Zone F, Vol/5 Way/Tone, Cosmo Hardware Tuners/R3 Nut/String Retainer/Original Edge Tremolo w/Big Brass Block Upgrade, DiMarzio Clip-Lock Black Strap

1991 Ibanez Gunslinger 550R: ’91 Ibanez RG550R Original Wizard Rosewood Neck converted to 22 Jumbo Frets w/OSNJ & Rare ’86 White Gold Hardware, ’89 B.C. Rich Gunslinger/Assassin Body with Custom Camoflage w/DiMarzio Virtual Vintage ‘54/Tone Zone F, 500k Volume/3 Way Toggle, Rare ’86 White Gold Original Edge w/Big Brass Block Upgrade, DiMarzio Clip-Lock Camo Strap

1998 Squier Venus: High Quality "Crafted In Japan", Bound Fingerboard with Fully Bound 12" Radius Fretboard and 22 Jumbo Frets, String-Through Basswood Body with Tune-O-Matic Bridge, Seymour Duncan Antiquity Strat/’59 Trembucker, CTS 500k Volume/Fender TBX Tone/3 Way Selector Toggle Switch, DiMarzio Clip-Lock Strap
 

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Re: The Famn Damily

Thank you very much!

One more to add to the herd as it's nearing completion:

2017 Musikraft “Charvel” 1984: Musikraft Charvel® 1 Piece Rock Maple Neck w/Dark Tint Gloss Nitro, R3 1-11/16” Nut, 12” Radius, Semi-Rolled Fretboard w/22 Super Jumbo 6000 Frets, Post 1964 Narrow 12th Marker Dot Spacing, Grover Tuners, Black “Kramer Made In U.S.A.” Neck Plate, 1984 Kramer Pacer Imperial 2 Piece Center Joined Maple Body in Trans Red Nitro w/Control Cavity Cover & “Kramer Made In USA” Neck Plate, Seymour Duncan Slash/SWD Custom Shop MJ RTM TB , Black Top Mount Floyd Rose Original w/42mm F.U. BBB, Tribal Strap
 

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Re: The Famn Damily

I really enjoy the fact that you build these with vintage and oem parts as much as you can help it. I do the same thing, even on projects that arent necessarily vintage per say, but its just a weird obsession of mine and Im glad that its not just me. Lol

Really alot of that older stuff cant really be beat, so there is that, but to touch base on a point I made in another thread, is the fact that the thrill of the hunt and the enjoyment you get from refurbishing and breathing new life into something just adds that much more to the already good feeling you get from doing the work yourself.
Plus Id rather hunt for stuff and rebuild it as opposed to sitting on my butt and ordering new parts online. No fun in that at all.
:)

You have some nice stuff there DeWayne! Didnt know you had that Tele... never had one myself, but I always liked them, especially with a Floyd. Id prob do a reverse headstock when I ever get around to doing one.
 
Re: The Famn Damily

Thanks for the kind words. I do tend to think that the older/original/vintage is better quality and specs as well as the fact that I like a little "worn patina/relic look" versus "shiny and new". Add to that finding cheaper prices on the older stuff in most cases as well. I always try to "build on a budget" when I've got a project going but sometimes it requires the "right" piece and that justifies spending a bit more.
 
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Re: The Famn Damily

The Floyd Equipped Geetars
 

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Re: The Famn Damily

07/13/18 Current Gear

2009 Gibson Les Paul Studio Raw Satin Trans Aqua: 24 ¾” Scale Unbound Mahogany Neck w/Maple Fretboard, 1 11/16” Corian Nut, 22 Frets, Dot Makers (Traditional Trapezoid at 12th Fret), Vintage Schaller Germany Tuning Pegs, Unbound Solid Maple Traditional Carved Top Body, Seymour Duncan Jazz/JB Zebra, Gibson Vol x 2/Tone x 2, Gibson Tune-O-Matic Bridge/Vintage Gibson TP6 Fine Tuning Tailpiece, Black Leather Strap w/Schaller Locks, Gibson Black HSC

2009 Gibson Les Paul Studio Raw Satin White: 24 ¾” Scale Unbound Mahogany Neck w/Maple Fretboard, 1 11/16” Corian Nut, 22 Frets, Dot Makers (Traditional Trapezoid at 12th Fret), Vintage Schaller Germany Tuning Pegs, Unbound Solid Maple Traditional Carved Top Body, Seymour Duncan Jazz/Custom Custom CCJ, Gibson Vol x 2/Tone x 2, Gibson Tune-O-Matic Bridge/Vintage Gibson TP6 Fine Tuning Tailpiece, “Buddy Guy” Autographed Blk/Wht Polka Dot Strap w/Schaller Locks, Brown HSC

1983 Kramer Pacer Imperial: USA Made and First Year for Kramers factory equipped with both Schaller Tuners and a Floyd Rose Original from the Neptune, NJ Factory - no doubt due to Edward Van Halen's influence as a Kramer Endorsee at the time. Also last year of production for Beak Headstock as it changed mid-year to Hockey Stick Headstock. Beautiful Aged Amber Nitrocellulose Finish Beak Headstock "Pacer Series Patent Pending" R2 1 5/8” Nut 22 Jumbo Fret 12” Radius Maple Neck with Chrome Made In Germany Schaller Tuners, “Kramer Made In USA” Neck Plate, Heavy & Resonant 2 Piece Center Joined Maple Body in a wonderfully checked 3 Color Black/Red/Brown Sunburst Nitrocellulose Finish, Vintage Seymour Duncan MJ Wound JNJ Neck/DiMarzio Tone Zone F Bridge in Original Schaller Mounting Rings, 3 Way DPDT Selector/Volume/Tone/Volume/Cannon Jack, Top Mount Chrome Floyd Rose Original w/Old School Threaded Arm & F.U. 42mm BBB, Black HSC

2016 Warmoth Telecaster: Flamed Birdseye Warmoth Neck w/Clapton Back Shape/R3 Nut 1 11/16”, 12” Radius/22 Jumbo Frets/Gotoh Tuners, 1 Piece Black Ash Tone Bomb Telecaster Body w/Forearm Contour & Rear Tummy Cut, Clear Gloss Nitro Finish over Lemon Oil, Seymour Duncan Jazz JNJ/SWD Custom Shop MJ DeMartini RTM TB, 3 Way Blade/DiMarzio 500k Volume/Fender TBX Tone, Recessed ‘86 Floyd Rose Original w/37mm BBB, Black HSC

1987 USACG Pacer Custom I: 2013 USACG Quartersawn Maple Neck, R3 1 11/16” Nut, 12” Radius Fretboard w/22 Jumbo 6100 Frets, Gotoh Tuners, Vintage NOS 1987 Kramer Pacer Custom I Alder Seafoam Body, Suhr Michael Landau Standard Neck & Middle/Seymour Duncan RTM TB, Volume/3 DPDT, Recessed 1986 Floyd Rose w/Old School Threaded Arm & F.U. 42mm BBB, Black HSC

2013 Warmoth Iceman: Warmoth 70’s Strat Maple Neck - 6100 Jumbo Frets, 12-16” Compound Radius, Standard Thin Back Shape, Chrome Gotoh Tuners/R3 Nut/Retainer, “B.C. Rich, L.A., California USA” Neck Plate, Warmoth Mahogany Iceman Body in Pearl White, Seymour Duncan Jazz B/Hybrid JB-Custom Custom A2 TB, 3 Way LP Switch/DiMarzio 500K Push:Pull Volume/Fender TBX Tone x 2, Tele Cup Jack, Recessed 1985 Chrome Floyd Rose Original w/37mm F.U. BBB, Ibanez HSC

1983 Kramer Voyager Maple Neck/1987 Pacer Custom I Alder Body: Chrome OFR German R3 Nut/Gotoh SG-38 Tuners, Seymour Duncan ’95 SSL-1/’95 SSL-1 RWRP/2018 Custom Shop MJ “Slightly Hotter” RTM TB, DiMarzio 500k Volume/3 On-Off DPDT, Top Mount 2017 Floyd Original “1984” Chrome w/42mm BBB, Tweed HSC

1989 Warmoth F-6000: Black OFR German R3 Nut/Grover Tuners, DiMarzio Late 70s SDS-1 Neck 9.05k/2018 RWRP SDS-1 8.88K/2018 DiMarzio Tone Zone F Blue, Volume/Tone/Tone/5 Way/Bridge HB On/Off Blower DPDT, Recessed 1986 Floyd Original Black w/34mm BBB
 

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Re: The Famn Damily

Ha! Well; if I had retained them all for sure. This is more of a running historical thread for me. I have a self imposed limit of 7 electrics maximum. When a new one comes in, generally, a less loved one goes out.
 
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