Gearjoneser
Gear Ho
There's a mystery in the Seymour Duncan line, and it's the Jazz Bridge Model.
First of all, the name Jazz scares off most rocker types, even though it's just a name. Second, SD has always touted the Jazz Neck Model as the perfect compliment to OTHER pickups, always neglecting the matched set. This automatically has made people ignore the bridge model, while focusing solely on the Jazz neck.
Years ago, Jolly made the Jazz set his 'go to' set for most of his Gibsons, and he has a LOT of them. He even posted clips, outlining the fact that the Jazz set does rock/metal perfectly.....most of them in a style similar to Jerry Cantrell or King's X.
As a generous gesture, and proof that Jolly is a genuinely nice guy, he gave me a Jazz Bridge he had lying around. My first move was to try it in a US Strat's bridge position, where it beat out my C-5, JB, or 59. Since I restored that strat to SSS, I moved it to the neck position in a LP, along with a Brobucker, C-5, and Custom as bridge pickups. There, the Jazz Bridge convinced me that it's one of the very best, if not the best, A5 neck pickup.
Since then, Jolly, Stevo, and myself have continued to use the Jazz Bridge as a killer LP neck pickup. I even have a pullup tone on that LP to split it, and it sounds amazing in split mode....very stratty. Next, Theodie decided to give it a chance as a rock/metal bridge pickup, and now swears by it.
Now, I've come to realize that out of every single Duncan I've tried, the Jazz Bridge is the ONE pickup that could be put in ANY guitar, in ANY position, for ANY style of music, and the user would agree that it's a great toneful pickup.
I think it's time to let everyone know about this, since it's also the most ignored and least selling Duncan. I see people constantly unhappy with their neck pickups, and feel compelled to tell you that the Jazz Bridge is the #$#$%. And on top of that, if you have an HSS strat, you really should try it out.....it works perfectly with single coils. Try it in a Jackson instead of a 59, C5, JB, or Custom, and see if you like it. What you should expect is a tight focused bottom end, neutral mids like a 59 and C5, and an extended top end with a lot of clarity and detail. If you find it bright at all, just back down your tone to control it, but overall, you'll have a very natural sounding bridge pickup in ANY guitar.
I know, I know....the word Jazz. Ignore it for a minute, and discover perhaps one of the best pickups in the SD line.
First of all, the name Jazz scares off most rocker types, even though it's just a name. Second, SD has always touted the Jazz Neck Model as the perfect compliment to OTHER pickups, always neglecting the matched set. This automatically has made people ignore the bridge model, while focusing solely on the Jazz neck.
Years ago, Jolly made the Jazz set his 'go to' set for most of his Gibsons, and he has a LOT of them. He even posted clips, outlining the fact that the Jazz set does rock/metal perfectly.....most of them in a style similar to Jerry Cantrell or King's X.
As a generous gesture, and proof that Jolly is a genuinely nice guy, he gave me a Jazz Bridge he had lying around. My first move was to try it in a US Strat's bridge position, where it beat out my C-5, JB, or 59. Since I restored that strat to SSS, I moved it to the neck position in a LP, along with a Brobucker, C-5, and Custom as bridge pickups. There, the Jazz Bridge convinced me that it's one of the very best, if not the best, A5 neck pickup.
Since then, Jolly, Stevo, and myself have continued to use the Jazz Bridge as a killer LP neck pickup. I even have a pullup tone on that LP to split it, and it sounds amazing in split mode....very stratty. Next, Theodie decided to give it a chance as a rock/metal bridge pickup, and now swears by it.
Now, I've come to realize that out of every single Duncan I've tried, the Jazz Bridge is the ONE pickup that could be put in ANY guitar, in ANY position, for ANY style of music, and the user would agree that it's a great toneful pickup.
I think it's time to let everyone know about this, since it's also the most ignored and least selling Duncan. I see people constantly unhappy with their neck pickups, and feel compelled to tell you that the Jazz Bridge is the #$#$%. And on top of that, if you have an HSS strat, you really should try it out.....it works perfectly with single coils. Try it in a Jackson instead of a 59, C5, JB, or Custom, and see if you like it. What you should expect is a tight focused bottom end, neutral mids like a 59 and C5, and an extended top end with a lot of clarity and detail. If you find it bright at all, just back down your tone to control it, but overall, you'll have a very natural sounding bridge pickup in ANY guitar.
I know, I know....the word Jazz. Ignore it for a minute, and discover perhaps one of the best pickups in the SD line.
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