Great Cleanish sound, now I can't wait to hear it with some more dirt![]()
It's a NECK p'up, guys.That sounds pretty bright and round. I like it. What's it sound like with more gain?
It's a NECK p'up, guys.
It's a NECK p'up, guys.
If you're looking for a Gary Moore "Still have the blues for you" kinda tone, this just *NOT* the right p'up for it. It's way too fat for that, if you ask me.
What does "AIAB" stand for?Now I want to try it through an AIAB even more.
What does "AIAB" stand for?
Great job Pepe and sounds nice. Sounds like it will be great for jazz and blues and fusion as well as rock and other styles.
Nice job. I really enjoyed your playing. The Hy-bro sounds much warmer than the 59/Custom. I am eager to hear more samples.
Listening to your clips I think the pickup could actually take a little more gain. It might be fat but it has a present top end which would maintain the clarity of it. I do also tend to keep my distortion tones on the fat but bright end of the spectrum, so I think that it would actually work very well for me.It's a NECK p'up, guys.
If you listen to the "It Was Only Yesterday SOLO" file, you'll hear the clean phrases through a blackface and the gainy ones through a Plexi. The "gainy" ones sound "flutey", but defined.
More gain would've just made'em "mush-out" and lose the definition. Also, as it sustains for days with a next-to-nothing amount of gain, I don't see the point of wanting more.
If you're looking for a Gary Moore "Still have the blues for you" kinda tone, this just *NOT* the right p'up for it. It's way too fat for that, if you ask me.
However... now that I think of it, if you have a Triple Shot set, setting the Hy-Bro neck in parallel, it would do a lot more gain without losing that much definition so it becomes unusable, although you'll have to revise the whole amp setting for that.
I did not document this p'up set in the "parallel" setting. I'd never even thought about it, TBH. All I can say is that, in a nutshell, is like having a completely different instrument at the flick of four switches. And now that I have a Triple Shot set, I can better see the utility of having it!
Maybe I'll have a go at it later on, time and life permitting, of course!
HTH,
You could find plenty of eager help from the Guidos in your neck of woods... :jester: :laughing: :lmao: :banana:Now to rob a bank...
It's a NECK p'up, guys.
If you listen to the "It Was Only Yesterday SOLO" file, you'll hear the clean phrases through a blackface and the gainy ones through a Plexi. The "gainy" ones sound "flutey", but defined.
More gain would've just made'em "mush-out" and lose the definition. Also, as it sustains for days with a next-to-nothing amount of gain, I don't see the point of wanting more.
If you're looking for a Gary Moore "Still have the blues for you" kinda tone, this just *NOT* the right p'up for it. It's way too fat for that, if you ask me.
However... now that I think of it, if you have a Triple Shot set, setting the Hy-Bro neck in parallel, it would do a lot more gain without losing that much definition so it becomes unusable, although you'll have to revise the whole amp setting for that.
I did not document this p'up set in the "parallel" setting. I'd never even thought about it, TBH. All I can say is that, in a nutshell, is like having a completely different instrument at the flick of four switches. And now that I have a Triple Shot set, I can better see the utility of having it!
Maybe I'll have a go at it later on, time and life permitting, of course!
HTH,
Nothing to forgive, it's a valid question to ask. Don't get me wrong: it CAN be done.Forgive me, Pepe, I'm just a metal guy at heart and I'm always looking for a neat lead tone from my neck![]()